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Armchair in Bouclé by Frode Holm 'Attr.' for Illums Bolighus, Denmark, 1960s

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    In 1944, Niels Otto Møller founded J.L. Møllers Møbelfabrik in Denmark, a company that has received many awards, including the Danish Furniture Prize in 1974 and 1981. Møller is an important representative of Danish postwar design and had always been committed to excellence and the use of the finest materials. Clean, simple designs and the quality of materials and workmanship are why Nordic design is timeless. This “model 67” chair...
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    This chair by Danish design icon, Ib Kofod-Larsen, was designed and launched in 1958 as a writing chair to be coordinated with the equally famous model IL-01. Produced by Christensen & Larsen in Denmark, this “Elizabeth” armchair...
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    Vintage 1960s Danish Mid-Century Modern Armchairs

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  • Teak Upholstered Armchairs with Slat Armrests, Denmark 1960s
    Located in Utrecht, NL
    In December 2016, the term "hygge" was so popular that the New York Times ran an explainer on the concept. This ideal of comfortable conviviality can be expressed in many ways, inclu...
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  • Upholstered Kurul Chair by Henning Kjærnulf for EG Kvalitetsmøbel, Denmark 1960s
    By Henning Kjærnulf
    Located in Utrecht, NL
    Designed by Henning Kjaernulf, this so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, origin...
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  • Upholstered Kurul Chair by Henning Kjærnulf for EG Kvalitetsmøbel, Denmark 1960s
    By Henning Kjærnulf, Kvaliteetsmøbel
    Located in Utrecht, NL
    Designed by Henning Kjaernulf, this so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an an...
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  • "Skrindan" Armchairs by Kerstin Hörlin-Holmquist for OPE Möbler, Sweden, 1960s
    By Kerstin Horlin Holmquist
    Located in Utrecht, NL
    The “Skrindan” armchair model was designed in 1963 by iconic Swedish designer, Kerstin Hörlin-Homquist. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, she created some of the most famous Swedish models of the era. The unique stained beech frames are a visual delight, with subtle decorative elements that distinguish this pair from other models of the era. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created her models with such precision and creativity that still makes them collectible pieces. Thanks to her unique vision, these chairs have unmistakeable backs and sides comprised of symmetrically arranged spindles. As the backs and armrests sit relatively low, the chairs have an open look. The original upholstered, dark green-coloured loose back and seat cushions elevate the visual comfort. The subtle elements of decoration include the tufted buttons on the cushions, the upholstered armrests, and the tapered legs. OPE Möbler, Jönköping produced the furniture designs of some of Scandinavia’s most renowned designers, such as Ib Kofod-Larsen, Ingemar Thillmark, and of course, Kerstin Hörlin-Holmquist. These Skrindan armchairs are exemplary of Swedish mid-century quality and design to their cores, uniting functionality with an understated, yet interesting and elegant design. Condition: In good vintage condition. Wear consistent with age and use. The wood has some scratches and marks. The chairs have their original velvet upholstery. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 28.93 in W x 33.07 in D x 31.88 in H; Seat height 16.92 in; Arm height 23.22 in 73.5 cm W x 84 cm D x 81 cm H; Seat height 43 cm; Arm height 59 cm About the Designer: Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England. She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project. "I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..." Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture...
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    Mid-20th Century Swedish Scandinavian Modern Armchairs

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    Fabric, Wood

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