Armchair chair 17th Century English Walnut Needlework X-Stretchered, Scroll

This elegant armchair exudes classic gravitas, with scroll arms, fall turnings and triple toe feet The tapestry back depicting Flora underneath a bower is a distinctive feature. It...

This open armchair is characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashionable uph...

This pair of open armchairs are characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashi...

The outside and inside rectangular back and seat re-upholstered, during its last ownership, with an off-white and grey/blue cotton/linen mix fabric faced with close nailed brass stud...

A museum quality, late-17th century, walnut, upholstered sleeping armchair • Exceptionally rare model; one of the first models of upholstered armchair with the addition of the wings intended to conceal draughts. • Transitional form : many of the carved features are characteristic of Baroque furniture dating from 1680 and the incorporation of upholstery is influenced by the desire for comfort post restoration of Charles II introducing French fashions to the English court. • Striking, statement piece. The cresting, “H” stretcher and scrollwork carving which features throughout the chair inject gravitas. • Practical size and ergonomic comfortable design, suitable for regular use. The original, carved, walnut cresting supported by a pair of dragons with scrollwork either side of a central stylised leaf spray. The shaped rectangular back with wings. The sweeping arms with carved scroll ends supported by tapering turned uprights emerging from blocks. The rectangular seat supported by double scroll carved and column turned legs joined by an ‘H’stretcher which mirrors the shape of the back in the centre with finial, column turned side and back stretcher and back legs. Exceptional original colour and patina. c.1690. CONDITION : re-upholstered in a recreation of 17th century, Italian, bargello embroidery which is characteristic of the period. Tiny marks, wear and losses as expected throughout the armchair. The finial is a C19 or early C20 replacement. The stretcher has suffered from worm damage and there are replaced sections at either end of 1” and 1½ “ respectively, and an area to the left of the finial has been filled. This work was not done by me and has some age to it and the finial was probably replaced at the same time. The armchair is sturdy and suitable for regular use. PROVENANCE: Private Collection, Cheyne Walk, London RELATED : Few sleeping chairs...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

An Italian Baroque period walnut armchair from the 17th century, with slanted back, large scrolling arms, turned legs and carved X-Form cross-stretcher. This Italian Baroque period walnut armchair, originating from the 17th century, is a magnificent piece that embodies the grandeur and ornate style of the Baroque era. The chair features a slanted back, which not only adds to its aesthetic appeal but also provides comfortable support. The large scrolling arms are a defining feature, showcasing the elaborate and dramatic design typical of Baroque furniture. The chair's turned legs are a testament to the skilled craftsmanship of the period, with each leg intricately designed to add both stability and visual interest. The carved X-Form cross-stretcher further enhances the chair's structural integrity and adds an additional element of artistic flair. This cross-stretcher not only serves a functional purpose but also contributes to the overall decorative scheme of the chair. While the upholstery is in used condition, it adds a sense of authenticity and history to the piece, telling a story of its journey through time. The seat height of 18.5 inches, a seat depth of 20 inches, and an arm height of 27.75 inches ensure comfortable seating, making this chair not only a piece of art but also a functional item of furniture. In a modern home, this Baroque armchair could be used as a statement piece in a living room, study, or library. Its historical significance and stunning design make it a focal point, ideal for those who appreciate the beauty and history of antique furniture...

A well carved, high back, genuine 17th century Carolean walnut armchair, carved with flowerheads and foliate scrolls and a shell at the centre of the top rail, with caned back panels...

A very handsome 17th century Armchair soundly constructed is richly stained oak. Wonderful carving detail. The seat height is 17 1/8". A terrific accent piece.

A 17th century Continental walnut armchair with turned legs and stretchers upholstered in brown leather. Possibly Spanish.

A 17th century French walnut armchair from the Dordogne region. The typical baluster shaped legs under a high back with upholstered armrest concealing tray supports. Armchairs as the...

Fine French Louis XIII armchair. Made in the 17th century from walnut and equipped with hidden out sliding tray supports as a extra feature. We restored this armchair and reupholster...