Early 19th Century Armchair attributed to Gillows

A very fine and elegant Regency period set of eight 'Klismos' chairs after designs by Thomas Hope, the manufacture attributed to Gillows England, circa 1810. Why we like them The...

A very fine and elegant Regency period set of SIX 'Klismos' side chairs after designs by Thomas Hope, the manufacture attributed to Gillows. A pair of elbow chairs n-suite is availab...

An exceptional quality, early 19th century Regency period open armchair, of well-shaped Klismos outline and rare generous proportions, attributed to George Oakley, England, circa 18...

A charming Grand Tour style porcelain vase, matte black ground with polychrome decorations in ancient Greek style,  English, mid-19th century.

A very fine George III period Gainsborough armchair of superb quality and large scale, attributable to Wright and Elwick. English, circa 1760. Why we like it We love the imposing scale of this iconic design from the mid-18th century, superbly handcrafted and beautifully reupholstered in a luxurious Claremont silk damask. Provenance With a pre-1903 label underneath reading GEO TROLLOPE & SONS / BELGRAVE SQUARE, / LONDON, S.W.  Attribution This armchair relates to 'French Chair' designs in the George II picturesque manner illustrated in Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, London, 1754. The pattern relates closely to a suite of five library armchairs from Swinton in Yorkshire and now attributed to the Yorkshire cabinet-makers, Wright and Elwick, who were known to have worked for William Danby at Swinton in around 1775, and who were both subscribers to the first edition of the Director. The suite was sold by the Earl of Swinton and the Hon. Nicholas Cunliffe-Lister, from Swinton House, Masham, Yorkshire, in Christie's house sale, 20-21 October 1975, lot 17.  Wright and Elwick Established in 1747 by Richard Wright and Edward Elwick, this prolific partnership '[had] the honour to serve most of the Nobility & Gentry in the West and North Rideing' (G. Beard and C. Gilbert, eds., Dictionary of English Furniture-Makers 1660-1840, Leeds, 1986, pp. 1006-1008). Certainly, records indicate that they received patronage from such distinguished clients as Sir Rowland Winn at Nostell Priory, the Duke of Norfolk at Worksop Manor, Viscount Irwin at Temple Newsam House, John Spencer at Cannon Hall and most notably, the Marquess of Rockingham at Wentworth Woodhouse.  A pair of virtually identical armchairs is in the collestion of the Museum of Fine Arts, Houston. An identical armchair was sold Christie's, London, Ronald Phillips Ltd - Making Room, 2 July 2014, Lot 69. The design also corresponds to a chair in the collection at Southill, Bedfordshire (P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, rev. ed., 1954, vol. I, p. 277, fig. 160). A pair of armchairs of this form was sold Christie’s New York, 19 October 2000, lot 100 ($182,000); a single chair of virtually identical form was sold Christie's London, 15 April 1999, lot 65; a further related pair was sold Sotheby's London, 5 July 1997, lot 58. George Trollope & Sons - Retailers The  firm, established in 1820 as 'paper hangers...

An interesting early 19th century slipper chair of small proportions, retaining original needlework upholstery, English, circa 1835. The chair p...

This chair is of highly elaborate design and exceptional craftsmanship. Open arms enclosing ornamental stylized foliage. Pierced turned reeded front legs, drop in seat and padded bac...

A superb quality mid-19th century armchair by Gillows of Lancaster. Raised on finely worked walnut turned front legs and arm supports without splayed chamfered legs to the rear, all ...

A pair of armchairs made in France about 1810. The armchairs have Egyptian heads carved on their armrest and at the foot end lion feets. There are four equal chairs, it is possible t...

We are delighted to offer for sale this large and collectable fully restored Regency circa 1810-1820 metamorphic armchair which converts into Library steps attributed to Gillows of Lancaster and London This wonderful piece of English history has been on a journey of restoration, the frame has been washed back and French polished by a Victorian trained polisher, the leather upholstery is all new, it is Italian cattle hide, upholstered plain then hand dyed six times, antiqued and sealed, it has a lovely rich reddish brown colour to it. This chair is larger than any other of its type you would have seen, it is an important and extremely expensive looking thing that commands attention in any setting. You can see the same model made by Gillows currently viewed in the Victorian & Albert Museum, below is an extra from their listing. The period 1800-1825 was a great one for ‘patent’ or ‘metamorphic’ furniture This chair, which transforms into a short set of steps for use with bookshelves, is close to a design for a ‘Library Chair’ published in Rudolph Ackermann’s Repository of the Arts in July 1811, which was made by the London firm of Morgan and Saunders, of Catherine Street, Strand. They were well known for their ingenious furniture, including reading chairs with writing surfaces attached and a great variety of travelling beds...

A very fine set of 6 Regency dining chairs attributed to Gillows of Lancaster and London, having a quality figured top rail with a reeded edge and carved top supported by shaped reeded supports over foliate scrolled splats, drop-in seats with luxury velvet fabric upholstery standing on reeded tapering legs to the front and out swept back legs. Circa 1820 English Artists Biography: The Gillow family of cabinet makers and upholsters came to prominence with Richard Gillow (1733 – 1811), the son of Robert Gillow, founder of the firm. Gillow’s reputation as one of the leading British cabinet...

A late nineteenth century painted armchair attributed to Wright and Mansfield, with unusual painted decoration of slogans to the back, with delicately carved diamond form central bac...