Beech Armchairs
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68
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53
Material: Beech
Creator: Gerrit Rietveld
Pair of Gerrit Rietveld 'Red and Blue Chair'
Located in London, GB
A sculptural seat with a pure and rationalist form, this chair became an authentic Manifesto for Neoplasticism, embraced by the Dutch De Stijl movement in 1917. An outlook shared by ...
Category
1970s Dutch Modern Vintage Beech Armchairs
Materials
Beech, Plywood
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Gerrit Rietveld Zeilmaker Version of Black Red and Blue Chair by Cassina
Located in Barcelona, Barcelona
Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015.
Manufactured by Cassina in Italy.
One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather.
The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation
While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.
In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.
It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution.
The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today.
Production delay:
8-9 weeks
Important information regarding images of products:
Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image.
Important information regarding color(s) of products:
Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor
About the designer:
Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time.
Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message.
Among his most important works are:
the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...
Category
2010s Italian Mid-Century Modern Beech Armchairs
Materials
Wood, Leather
H 34.65 in W 27.17 in D 32.68 in
Gerrit Rietveld Zeilmaker Version of Black Red and Blue Chair by Cassina
Located in Barcelona, Barcelona
Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015.
Manufactured by Cassina in Italy.
One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood.
The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation
While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.
In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.
It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution.
The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today.
Important information regarding images of products:
Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image.
Important information regarding color(s) of products:
Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor
About the designer:
Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time.
Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message.
Among his most important works are:
the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...
Category
2010s Italian Mid-Century Modern Beech Armchairs
Materials
Leather, Wood
H 34.65 in W 27.17 in D 32.68 in
Gerrit Thomas Rietveld Utrecht Armchair by Cassina
Located in Barcelona, Barcelona
Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015.
Manufactured by Cassina in Italy.
Gerrit T. Rietveld came up with the design for the Utrecht armchair...
Category
2010s Italian Mid-Century Modern Beech Armchairs
Materials
Fabric
Gerrit Thomas Rietveld Utrech Armchair by Cassina
Located in Barcelona, Barcelona
Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015.
Manufactured by Cassina in Italy.
Gerrit T. Rietveld came up with the design...
Category
2010s Italian Mid-Century Modern Beech Armchairs
Materials
Fabric
Gerrit Thomas Rietveld Utrech Armchair by Cassina
Located in Barcelona, Barcelona
Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015.
Manufactured by Cassina in Italy.
Gerrit T. Rietveld came up with the design...
Category
2010s Italian Mid-Century Modern Beech Armchairs
Materials
Fabric
Previously Available Items
Red Blue Chair by Gerrit Rietveld, c1970
Located in Paddock Wood Tonbridge, GB
Originally designed in 1918 by Gerrit Rietveld from the ‘De Styijl’ art movement from this period, this example is from the 1970’s and possibly made by Dutch cabinet maker Gerard Gro...
Category
1970s Dutch Modern Vintage Beech Armchairs
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Beech
Italian Mid-Century Beech Crate Chair by G. T. Rietveld for Cassina, 1934
Located in MIlano, IT
Italian mid-century beech Crate chair by G. T. Rietveld for Cassina, 1934.
Beechwood crate chair. Iconic products of the De Stijl movement.
Designed by Gerrit Thomas Rietveld for ...
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1930s Italian Mid-Century Modern Vintage Beech Armchairs
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Beech
H 29.93 in W 24.02 in D 21.66 in
Gerrit Rietveld Unesco Chair
Located in Dronten, NL
Very rare Gerrit Thomas Rietveld for Artifort 143 chair, also known as Unesco chair.
Designed for the Dutch pavilion at the 1958 world exhibition in Brus...
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1950s Dutch Mid-Century Modern Vintage Beech Armchairs
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1960s Gerrit Rietveld Utrecht Chair
Located in Dronten, NL
The Utrecht chair is one of Gerrit Rietveld’s few upholstered chairs that was actually taken into small scale production. The chair, with armrests that m...
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