Leather Armchairs

Timeless, unique, and profoundly authentic, the LC2 armchair was designed by Le Corbusier in collaboration with Pierre Jeanneret, and Charlotte Perriand in 1928. As a spirited advoc...

Afra & Tobia Scarpa "Soriana" lounge chairs for Cassina, black leather and metal, 1969, set of two. Although technically designed in the 1960s, the "Soriana" model by the Italian duo...

Set of 2 armchairs model Aeo by Paolo Deganello and Archizoom group in 1973 Edited by Cassina (see picture) Plastic base, metal structure, backrest, and armrest in grey leather Foam ...

Dutch designer Gerrit Thomas Rietveld is one of modernism's most singular figures - a leading light of the De Stijl movement and designer of some of the modern age's most iconic piec...

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architect...

An early example of a "Ciprea" chair by Afra and Tobia Scarpa for Cassina, Italy, 1967 This example features its original deep cream leather upholstery and being one of the first ar...

A pair of 3 Fauteuil Grand Confort Grand Modèle Durable Cassina Armchairs. By Le Corbusier, designed by Pierre Jeanneret, Charlotte Perriand for...

Le Corbusier; Pierre Jeanneret; Charlotte Perriand; 1928; LC3; Armchair; France; Italy; Cassina; Bauhaus; Modernism; LC3 single armchair for Cassina. An iconic piece of modernist design, designed in 1928 by Le Corbusier, his cousin and colleague Pierre Jeanneret, and Charlotte Perriand. The chair is a symbol of timeless elegance and exceptional comfort, with a unique combination of high-quality materials and craftsmanship. Made of high-quality materials by Italian manufacturer Cassina in the 1990s, this LC3 armchair has a chrome-plated steel frame that gives it a sleek and contemporary look. The thick Italian black leather adds a touch of luxury to the design and offers superior durability, while the combination of foam and goose down in the side and seat cushions provides a comfortable seating experience. With its low seat and wide armrests, the LC3 armchair is the perfect place to relax after a long day. The chair's design is both functional and stylish, making it an ideal addition to any modern living space. In excellent condition and signed by its designers, the LC3 armchair is a collector's item that is sure to be treasured for years to come. Whether you are looking to add a touch of sophistication to your home or simply enjoy the ultimate in comfort, the LC3 single armchair by Le Corbusier for...

Experience timeless elegance and exceptional craftsmanship with the Pierre Jeanneret Armchair, originally designed circa 1950 and relaunched in 2019. Manufactured by Cassina in Italy...

Afra & Tobia Scarpa "Soriana" lounge chairs for Cassina, original cognac leather, Italy, 1969, set of two. Although technically designed in the 1960s, the "Soriana" model by the It...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archit...

Le Corbusier; Pierre Jeanneret; Charlotte Perriand; 1928; LC3; Armchair; France; Italy; Cassina; Bauhaus; Modernism; LC3 single armchair for Cassina. An iconic piece of modernist design, designed in 1928 by Le Corbusier, his cousin and colleague Pierre Jeanneret, and Charlotte Perriand. The chair is a symbol of timeless elegance and exceptional comfort, with a unique combination of high-quality materials and craftsmanship. Made of high-quality materials by Italian manufacturer Cassina in the 1990s, this LC3 armchair has a chrome-plated steel frame that gives it a sleek and contemporary look. The thick Italian white leather adds a touch of luxury to the design and offers superior durability, while the combination of foam and goose down in the side and seat cushions provides a comfortable seating experience. With its low seat and wide armrests, the LC3 armchair is the perfect place to relax after a long day. The chair's design is both functional and stylish, making it an ideal addition to any modern living space. In excellent condition and signed by its designers, the LC3 armchair is a collector's item that is sure to be treasured for years to come. Whether you are looking to add a touch of sophistication to your home or simply enjoy the ultimate in comfort, the LC3 single armchair by Le Corbusier for...

Woodline armchair designed by Marco Zanuso in 1964, relaunched in 2015. Leather and stained walnut wood. Manufactured by Cassina in Italy. A...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in unesco’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Italian modern black leather and metal LC4 chaise longue by Le Corbusier, Jeanneret and Perriand for Cassina, 1970s. LC4 armchair or chaise longue, with black metal structure to sup...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Prices vary dependent on the chosen material of the chair. The base is available in walnut or in black stained ash. The seat is available in fabric or leather. Charlotte Perriand Indochine Armchair...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2020. Manufactured by Cassina in Italy. The LC3 implements the logic of modernity s...

Woodline armchair designed by Marco Zanuso in 1964, relaunched in 2015. Green fabric and black stained wood. Manufactured by Cassina in Italy. ...

Woodline armchair designed by Marco Zanuso in 1964, relaunched in 2015. Grey fabric and black stained wood. Manufactured by Cassina in Italy. ...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architectu...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2020. Manufactured by Cassina in Italy. The LC3 implements the logic of modernity s...

Gianfranco Frattini for Cassina rare pair of lounge chairs model 831 with frame in mahogany veneer and bent plywood with brass mounts, and camel leather upholstery, Italy, 1955.. The...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Postmodern armchair in black leather on a chrome frame with independently movable seat, headrest cushion and satellite ottoman. The backrest has tilting adjustment.

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architectu...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key IDEA of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

The price given applies to the piece as shown in the first picture. Prices vary dependent on the color and material of the chair. Outdoor LC7 chair designed by Charlotte Perriand i...

A matching pair of LC1 armchairs designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand during the late 1920 and built up using chromed metal tubes and leather. Our set...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

The seat is available in many different fabrics / leathers. The AEO chair was the last product from the Archizoom group, and was designed by Paolo Degane...

1970s vintage armchair, Italian manufacture, design by Mario Bellini, Cassina production. The armchair has an orange leather upholstery Vintage design in good condition; but the leat...

The price given applies to the chair as seen in the first picture. Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the version...

Cassina Model 684  "Tentazione" leather armchair design by Mario Bellini in 1973. Good conditions, wears coherent with prior use and age. Measurements: D 66 cm x H 84 cm x L 81 cm.

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archite...

Lounge chair designed by Mario Bellini in 2015. Manufactured by Cassina in Italy. Price is per piece. Please ask for pricing in other materials and colors.

Modern set of 7 vintage dining chairs, which were made out of a wooden base and cognac brown leather armchair shell. Stamped Cassina - N 10 The set of dining chairs by Josep Lluska f...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair ha...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The price given applies to the chair as seen in the first picture.

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archite...

Armchair designed by Patricia Urquiola in 2019. Manufactured by Cassina in Italy. This comfy armchair has the same distinctive aesthetics as the Back-Wing chair designed in 2018. ...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

The price given applies to the piece as shown in the first picture. Please ask for pricing in other materials/colors. Designed by Ico Parisi in 1960 for Cassina, at that time “Figl...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archite...

Price given applies to the set as shown in the first picture. Please ask for pricing in other materials/colors. Available in teak, oak, black stained oak or oak stained dark walnut. ...

Armchairs designed by Patricia Urquiola in 2019. Manufactured by Cassina in Italy. This comfy armchair has the same distinctive aesthetics as the Back-Wing chair designed in 2018....

Armchairs designed by Patricia Urquiola in 2019. Manufactured by Cassina in Italy. This comfy armchair has the same distinctive aesthetics as the Back-Wing chair designed in 2018....