Modern Armchairs in Mohair by Rosemary Hallgarten, Italy circa 1950

Armchair in Rosemary Hallgarten Teddy Mohair England circa 1900 Country house style armchair newly upholstered in teddy mohair by Rosemary Hallgarten. 31.5”w x 34”d x 34”h x 15”seat

Club Armchairs in Rosemary Hallgarten Velvet Denmark circa 1960 Antique beechwood frames, with button-back rests, newly upholstered in Rosemary Hallgarten velvet. 33”w x 30”d x 30...

Edward Wormley Sofa in Rosemary Hallgarten Boucle America circa 1950 Produced by Dunbar, newly upholstered in alpaca boucle. 96”L x 32.25”d x 28”h x 18”seat

Adrian Pearsall Sofa in Rosemary Hallgarten Fleece America circa 1950 Elegantly symmetrical modern sofa designed by Adrian Pearsall for Craft Associates 112.5”L x 35”d x 24”h x 17...

Armchair in Graphic Linen by Pierre Frey England circa 1760 Newly Upholstered in linen blend by Pierre Frey, on turned mahogany legs. Measures 30.5"w x 31”d x 48”h x 16”seat

Armchairs in William Morris Velvet England circa 1900 Substantial Arts & Crafts armchairs with slatted oak sides and original brass studs, Designed by Leonard Wyburd. Reupholstered i...

Not much is known about Milanese architect Orlando Orlandi except that he worked with Gio Ponti for a certain period of time. It has been suggested by various sources that this specific design is also a fruit of their collaboration, but this has not been confirmed. It may be assumed that the gentlemen shared their avant-garde formal language. Graceful, powerful and very architectonic. Imagine a décor from a Luca Guadagnino...

An exquisite pair of mid-century modern armchairs designed by Jens Risom, crafted circa 1960-1969. Meticulously restored, the walnut framework shines with renewed beauty, complemente...

The Mid-Century Modern era is notable for its blending of Classic modern design elements with a slightly more updated feel. This beautiful pair of Italia lounge chairs has a Classic, comfortable style that is a prime example of the best qualities of what is referred to as Modernism in European design. Several key factors define the Italian approach to design: respect for craftsmanship, quality materials and finally, an elegant, high-end look. Upholstered cabinetmaker chairs may seem similar at first sight; however, each model’s individuality becomes evident upon closer inspection. In these chairs’ case, their thick, welcoming shape and the sleek, tapered wooden feet Stand out immediately. The design has achieved a perfect balance between form and function, in which aesthetics and utility come together in a purely Mid-Century Modern manner. The fully upholstered wooden frames rest on dark lacquered wood legs. The feet are splayed to support stability, while their stylish dark colour contrast to the elegant, light upholstery. The backs are relatively low, enhancing the stylish look along with the thick arms, backs, and seat cushions. Together these design elements create a modern look with the beloved organic, curvy aesthetic. The exceptionally soft, textured fabric highlights the bodies’ rounded edges and sheer volume. Italy was especially passionate about furniture and product design during the mid-century, an area where the country remained faithful to a figurative repertoire of substantial classicism, while not disdaining impulses of authentic modernity. As a result, Italian modern furniture...

Pair of Mid-Century Modern Italian Armchairs in White Fabric, circa 1950

A pair of oak and beige mohair side chairs designed and produced by Drexel, USA, 1950s. 17” seat height Brand new beige mohair.

Pair of Italian armchairs, circa 1950.