Items Similar to Pair of 1950s Italian Rattan Armchair
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Pair of 1950s Italian Rattan Armchair
About the Item
Beautiful pair of Italian colonial-style faux bamboo structure woven with rattan armchairs.
The arm style flows sinuously into a the rounded back of the chairs.
A very comfortable pair of lounge chairs from the 1950s.
Great profile and very elegant in shape and design and very comfortable in seating.
Thanks to their style and harmony, they will look perfect in any modern or contemporary Classic decor.
The structure of the armchairs is in perfect condition.
The upholstery is in excellent condition while the fabric should be changed according to one's taste.
Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts.
- Dimensions:Height: 25.6 in (65 cm)Width: 24.41 in (62 cm)Depth: 29.53 in (75 cm)Seat Height: 15.75 in (40 cm)
- Sold As:Set of 2
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1955
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:Roma, IT
- Reference Number:1stDibs: LU4827233611672
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2005
1stDibs seller since 2019
71 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Roma, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Ida Fuà 1950s Italian Modern Plaster SculptureLocated in Roma, IT1950s Italian Modern Plaster Sculpture “Head of a young boy” by Ida Fuà Very important plaster sculpture depicting a young boy by the great italian artist Ida Fuà The boy, caught...Category
Vintage 1950s Italian Mid-Century Modern Busts
MaterialsPlaster
- Moya Claire Dyring Painting Signed French Marine 1950sBy Moya DyringLocated in Roma, ITBeautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill, Donald Friend...Category
Vintage 1950s French Mid-Century Modern Paintings
MaterialsWood
- Pair of Period Italian Lacquered Wooden BenchesLocated in Roma, ITThis highly elegant pair of benches is in Louis XVI style, made in the mid-19th century. The four legs are tapered in a truncated pyramidal shape, and the band is decorated with polychrome carvings...Category
Antique Mid-19th Century Italian Louis XVI Benches
MaterialsWood, Leather
- Rococo Gilded and Lacquered Italian Pair of GueridonLocated in Roma, ITPair of gueridons in gilded, lacquered wood. Florentin artist made, from the second half of the 18th century The bases of these elegant consoles are a weave of leaf, flower, and bran...Category
Antique Late 18th Century Italian Rococo Gueridon
MaterialsWood
- Archimede Seguso Pair of Modern Murano GlassBy Archimede SegusoLocated in Roma, ITPair of important Murano glass sculptures known as "Animalier". They represent two small, very nice, ducks. Their expression is irresistible: they almost seem to look at the viewer w...Category
Vintage 1950s Italian Mid-Century Modern Animal Sculptures
MaterialsGlass
- Pair of Modern Pendants Uto by FoscariniBy FoscariniLocated in Roma, ITThis two orange Uto hanging lamps are very versatiles and they can be used for indoor or outdoor. By Lagranja Design Group and produced by Foscarini Retrofit LED, Fluo 15WE27 dimmer ...Category
Vintage 1980s Italian Modern Chandeliers and Pendants
MaterialsPlastic
You May Also Like
- 1950s Pairs of Restored Italian ArmchairsBy Gio PontiLocated in Paris, FRA captivating pair of 1950s Italian armchairs, restored and attributed to Gio Ponti, for Casa e Giardino. These collectable lounge chairs are adorned with gracefully curved backrests...Category
20th Century Italian Mid-Century Modern Armchairs
MaterialsUpholstery, Velvet
- Pair of Reupholstered Italian Armchairs, Italy, 1950sLocated in Wolfurt, ATThis pair of armchairs was made in Italy in the 1950s. Both pieces of furniture have been reupholstered with a woolen fabric by the Backhausen company in light and dark purple. The b...Category
Vintage 1950s Italian Mid-Century Modern Armchairs
MaterialsBrass
- Pair of 1950s Mid-Century Modern Italian ArmchairsLocated in New York, NYChic pair of Italian armchairs, circa 1950s. Newly restored with blonde finish. Wood frame and aubergine raw silk bottom tufted upholstery. Measures: Seat height 17" Seat depth 20".Category
Vintage 1950s Italian Mid-Century Modern Armchairs
MaterialsFabric, Wood
- Pair of Armchairs by Maurizio Tempestini, Italy, 1950sBy Maurizio Tempestini, Gio Ponti, Paolo BuffaLocated in London, GBA wonderful and rare pair of armchairs by Maurizio Tempestini, Italy, 1950s. The chair cushions require new fabric. Fast shipping worldwide.Category
Mid-20th Century Italian Mid-Century Modern Lounge Chairs
MaterialsFabric, Beech, Cherry
- Pair of Italian Rattan Armchairs, 1960sLocated in Lasne, BEPair of armchairs in rattan. Seat height: 35cm. Wear and tear due to time and age of the armchairs.Category
Vintage 1960s Italian Mid-Century Modern Armchairs
MaterialsRattan
- Pair of Armchairs attributed to Paolo Buffa, Italy, 1950sBy Paolo BuffaLocated in New York, NYPair of armchairs attributed to Paolo Buffa, Italy, 1950s. $9,900.00. Pair of beautiful 1950s Paolo Buffa lounge chairs with “tusk” shaped legs. Upholstered in an off-white boucle ...Category
Vintage 1950s Italian Mid-Century Modern Lounge Chairs
MaterialsUpholstery, Wood
Recently Viewed
View AllMore Ways To Browse
Vintage Furniture Rome
20th Century Rattan Lounge Chairs
Vintage Harmony Furniture
Rattan Arm
Rattan Decor
Mid-20th Century Rattan Lounge Chairs
European Rattan Lounge Chairs
Classic Rattan
20th Century Bamboo Lounge Chairs
Bamboo Style Armchair
Italian Contemporary Bamboo
Rattan Woven Armchairs
Faux Bamboo Chairs Pair
Pair Of Faux Bamboo Chairs
Bamboo Lounge Pair
Pair Of Rattan Back Chairs
Mid-20th Century Bamboo Armchairs
Mid Century Modern Italian Round Armchair