PAIR OF ENGLISH ARMCHAIRS Chippendale, 18th Century

IMPORTANT PAIR OF ELEGANT 18th Century LOUIS XVI ARMCHAIRS in lacquered wood and gilded with pure gold covered in Roma fabric h 92 x 57 x 51 cm original condition

Pair Of French Chairs 18th Century ELEGANT CHAIRS OF THE END OF THE EIGHTEENTH CENTURY, FRENCH, LATER UPHOLSTERED IN WHITE FABRIC. MEASURES: 100X85X60

Set of four armchairs Portuguese from the 18th Century, in chestnut and Brazilian rosewood wood with carvings. Scalloped backrest and carved leather seat, roll-up arms, turned legs...

Pair of high-backed chairs Portuguese 18th Century In carved and patinated chestnut wood and rosewood, with leather and nailing. Leathers engraved with plant motifs and figures. Dim...

PAIR OF ARMCHAIRS Chinese, 19th Century in hardwood, with carvings and marble inserted. Dim.: 88 x 64 x 46 cm good conditions

Six Chairs with a Pair of 20th Century Italian Armchairs SIX CHAIRS in walnut with Italian vintage white fabric h 95.5 x 45 x 45cm PAIR OF ARMCHAIRS in walnut with Italian vintage ...

18th century Chippendale armchair, the crest rail and reticulated splat have intricate acanthus and volute carving in high relief; the molded stiles with serpentine shaped arms endin...

An important pair of mid-18th century Chippendale period mahogany Library Armchairs, having unusual carved and scrolled cartouche-shaped backs, with scroll moulded set-back arms. The Chairs having stuffover seats with gadrooned borders, supported on blind fret carved cabriole legs with scrolled toes. For similar examples see Chippendale's Director, 'French Chairs' Plate XXI Further information: Similar examples of our Library Armchairs can be found in the third edition of Thomas Chippendale book Gentleman and Cabinet Maker’s Director (1762). The pair resembles the right chair design in Plate XXI, catalogued by Chippendale as “French Chairs”. He described in his book that this model “may be executed to advantage, some of them are intended to be open below at the back: which makes them very light without having a bad effect.’ His design illustrates his familiarity with the fashionable French Rococo style represented by the curvilinear form of the chair and scrolled feet. The carved surface decoration on our Chairs is much less elaborate than that on the published design and is more reminiscent of the work of Robert Manwaring...

A very fine George III period Gainsborough armchair of superb quality and large scale, attributable to Wright and Elwick. English, circa 1760. Why we like it We love the imposing scale of this iconic design from the mid-18th century, superbly handcrafted and beautifully reupholstered in a luxurious Claremont silk damask. Provenance With a pre-1903 label underneath reading GEO TROLLOPE & SONS / BELGRAVE SQUARE, / LONDON, S.W.  Attribution This armchair relates to 'French Chair' designs in the George II picturesque manner illustrated in Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, London, 1754. The pattern relates closely to a suite of five library armchairs from Swinton in Yorkshire and now attributed to the Yorkshire cabinet-makers, Wright and Elwick, who were known to have worked for William Danby at Swinton in around 1775, and who were both subscribers to the first edition of the Director. The suite was sold by the Earl of Swinton and the Hon. Nicholas Cunliffe-Lister, from Swinton House, Masham, Yorkshire, in Christie's house sale, 20-21 October 1975, lot 17.  Wright and Elwick Established in 1747 by Richard Wright and Edward Elwick, this prolific partnership '[had] the honour to serve most of the Nobility & Gentry in the West and North Rideing' (G. Beard and C. Gilbert, eds., Dictionary of English Furniture-Makers 1660-1840, Leeds, 1986, pp. 1006-1008). Certainly, records indicate that they received patronage from such distinguished clients as Sir Rowland Winn at Nostell Priory, the Duke of Norfolk at Worksop Manor, Viscount Irwin at Temple Newsam House, John Spencer at Cannon Hall and most notably, the Marquess of Rockingham at Wentworth Woodhouse.  A pair of virtually identical armchairs is in the collestion of the Museum of Fine Arts, Houston. An identical armchair was sold Christie's, London, Ronald Phillips Ltd - Making Room, 2 July 2014, Lot 69. The design also corresponds to a chair in the collection at Southill, Bedfordshire (P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, rev. ed., 1954, vol. I, p. 277, fig. 160). A pair of armchairs of this form was sold Christie’s New York, 19 October 2000, lot 100 ($182,000); a single chair of virtually identical form was sold Christie's London, 15 April 1999, lot 65; a further related pair was sold Sotheby's London, 5 July 1997, lot 58. George Trollope & Sons - Retailers The  firm, established in 1820 as 'paper hangers...

A Very Good Quality 18th Century, Georgian, Chippendale Period, Mahogany Carver Desk Armchair Having Extremely Attractive Pierced Splat With Crisply Carved Decoration To Back, Over S...

An armchair made during the 18th century and Chippendale period in England. Generous sized chair. Seat upholstered in black leather.

Pair of English Chippendale (18th century) large Gainsborough carved open arm library chairs with shaped arm rests and back upholstered in brown...