Pair of French Art Nouveau Armchairs, Two-Tone Cognac Colored Embroidered Velvet

Wooden frame painted with brass food ends upholstered with flower fabric. Made in Germany in circa 1890-1900.

Beautiful French armchairs in walnut with decorative inlays on the backs, grooved legs, new upholstery in faux leather with embossed plant motifs.

Danish cabinetmaker: A pair of Art Nouveau mahogany armchairs with curved arms and front legs, upholstered with green fabric, 1920s.

Very nice pair of Bergere from the time of Art Nouveau in solid cherrywood. The armchairs are newly upholstered and upholstered in new fabric, made to a design by Josef Hoffmann. In ...

French Art Nouveau, circa 1900, pair of armchairs by Abel Landry for Maison Modern in sculpted French walnut. Frames have been restored and refinished.

A pair of Early 20th Century French Art Nouveau carved wood "Aubépine" armchairs by, Louis Majorelle. Both chairs are decorated on their back edges, arms, legs and skirt with carved hawthorn leaves and berry decoration upholstered in a off/cream white light snake pattern. circa 1905 Measurements: height: 32.25 in. (81.92 cm) x width: 36.75 in. (93.35 cm) x depth: 21 in. (53.34 cm) Condition: chairs are in overall very good condition with light wear. Fabric is not period. Literature: Similar chairs are pictured in: -Majorelle - Nancy: décorations d'INTÉRIEURS: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), and in: Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, New York: Harry N. Abrams, Inc., 1991, p. 200. -Alastair Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, pp. 167, 183 and 200 -Majorelle: Un Art de Vivre Moderne, exh. cat., Musée de l'École de Nancy, France, 2009, p. 130 Biography : Louis Majorelle, (France; 1859 – 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...