Pair of Jorgen Christensen Armchairs

A pair of Finnish elmwood high back open-armchairs designed by Werner West, Circa 1930-40. Produced by Wilhelm Schaumannin, Vaneritehdas Oy, Jyväskylä, Finland. The high curved back ...

A Danish upholstered club chair with stained beechwood legs, circa 1940s. Recently upholstered with a cotton blend and contrasting buttons and piping.      

A Danish oak and leather armchair. Designed by Hans Wegner Name - Sawbuck chair Model Number - CH-28 armchair was designed by Hans Wegner in 195...

A pair of Swedish birch wood stools, Circa 1940s, the upholstered rectangular tops raised of straight legs with a rounded edge and joined by an H-form cross stretcher. Re-covered in ...

A pair of Swedish table lamps in white carrara marble produced by Bergboms, Sweden, Model B-10, circa 1960s. Solid turned marble with three lower bands, re wired for the US. New shad...

A pair Continental of painted terracotta urns with classical figures and decoration, Early 20th Century

Pair harp chair by Jørgen Høvelskov for Christensen & Larsen Møbelhandværk.

Jørgen Christensen, set of eight dining chairs, leather, oak, brass, Denmark, 1950s Exclusive set of eight dining chairs designed by Danish design...

Cozy and sophisticated, this pair of arm chairs are an excellent example of 1940s Danish Modern furniture design. The chairs, designed by Alfred Christensen for prolific furniture m...

Armchair by Preben Fabricius & Jørgen Kastholm, Walter Knoll.

- Good original condition with minor signs of use - The fabric upholstery in good original condition with some signs of use - The wooden parts have been re-polished.

Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen known as cabinetmakers. Alfred Christensen’s present armchair in this style is a rare and exquisite example of this. Clean and pure lines define this armchair that are coupled with expert craftsmanship and delicate research into proportions, materials and the requirements of the human body, adapting design to modern-day needs. Adopting the trend of abandoning ornamentation to benefit the form, Christensen maintained the beauty and warmth inherent to traditional Danish cabinetmaking. In consequence, this armchair has a beautiful, warm look with rounded edges and an open look. The only ornamentation is the piping cord that runs along the edges of the body. The unique colour of the velour upholstery in combination with the dark, stained beech legs create warm elegance, perfect to bring a modern touch to any space. While Danish designers, including Alfred Christensen, had many principles, above all, all designers...