A Pair of Reupholstered Funkis Armchairs by Axel Einar Hjorth, Sweden 1930s.

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth de...

This “Utö” bench is from the Swedish designer, Axel Einar Hjorth’s Sportstugemöble furniture line. This bench has a rather simple, yet well-thought out design. The frame is made of pine, mixing the aesthetics of rural, traditional handcraft with international modernism. Produced by AB Nordiska Kompaniet, this bench belongs to Hjorth's line of modernistic cabin furniture from the 1930's. The seat of the bench is thick and robust, with an oval shaped pine board, assuring sturdiness and stability. The symmetrically carved back with a gap in the middle offers comfort and functionality. The four tapered legs of the bench follow the shape of the backrests on both sides, accentuating the geometrical aspect, and highlighting the symmetry of this piece. Condition: In good vintage condition. Wear consistent with age and use. Dimensions: 54.92 in W x 18.7 in D x 31.3 in H ; Seat height 15.55 in 139.5 cm W x 47.5 cm D x 79.5 cm H; Seat height 39.5 cm Literature: Christian Björk, Thomas Ekström...

Axel Larsson was an incredibly productive Swedish furniture architect and designer with a more than 50-year long career. This armchair is a rarity, despite Larsson being most well-known for his furniture series designed for and mass-produced by SMF Bodafors. This particular chair takes inspiration from the uplifting, pared-down aesthetic of Scandinavian design. The design consists of a smooth sculptural frame crafted in curved and stained wood that frames a finely tailored seat and back. The streamlined design of the wood structure immediately stands out for its pronounced lines and airy construction. It shows off the architectural precision put into both the design and into the execution. The curve of the arms and legs - formed of a single piece of wood - defines the look and is perfectly balanced by the straight stretchers connecting the legs. The other defining feature is the obtuse angle created by the reclined position of the back and the raised seat. This angle is also followed by the frame and as a result the aesthetic is dynamic but still exudes the functional cosiness of Swedish design. There is a clear emphasis on comfort, from the tilted back to the sculpted, wide armrests and the seat cushion. The light upholstery complements that dark stained wood by creating an apparent contrast both in colour and texture. Axel Larsson also designed furniture for individual carpenters in Stockholm; these were made in small numbers, and this armchair may be one of these rare designs. Swedish Modern style is delicately scaled, using tapering legs and clever but simple solutions as seen on this chair as well. Subtitled “A Movement Towards Sanity in Design”, it also describes quality and the ability to lend grace to the daily chores of life. Condition: In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 25.59 in W x 30.31 in D x 30.9 in H; Seat height 21.65 in; Arm height 25.19 in 65 cm W x 77 cm D x 78.5 cm H; Seat height 55 cm; Arm height 64 cm About the Designer: Axel Larsson was born in 1898 in Torp socken, Sweden. Larsson was a professional for more than 50 years and belonged to a handful of furniture and interior designers who played a major role and influenced the development of their professional sphere. He grew up in Medelpad, and as a young carpenter's apprentice, he was given the opportunity to study further in Stockholm as a furniture designer through a scholarship from 1916 to 1920. In parallel with his studies at the Higher School of Art and Design, he was a furniture designer under Carl Malmsten during his work with furniture for Stockholm City Hall...

This unique easy chair is a great representation of the quality and craftsmanship of Danish master cabinetmakers and the immediately recognizable characteristics of Scandinavian desi...

There is a certain “Malmsten-esque” charm to the Swedish designer’s pieces that manifests in the gentle but defined curves and cosy appearance. The expression “Swedish Modern” was ...

The Finnish architect and designer, Märta Blomstedt, was one of the driving forces of the Finnish functionalism movement. Her first works were noted for their functional, rather than decorative appearance, which clearly changed as evidence by these famous “Aulanko” armchairs. Blomstedt designed all aspects of her buildings including the furnishings, demonstrated in one of her most noted designs of the Hotel Aulanko. The hotel was conceived as a single work of art and the furnishings, dishes and textiles were part of the project. This model – designed in 1939 - got its name after this architectural project and was specifically designed for the lobby of the hotel in Hämeenlinna, Finland. While it has been stated before that this model was heavily inspired by Danish designer, Fleming Lassen's genre-defining 'Tired Man' wing chair from 1935, the “Aulanko” became world-famous in its own right. Most notable is the voluminous body that stands on four bun shaped feet. While this model originally had tubular steel legs, various iterations were produced for the hotel over the subsequent decades. This version with spherical wooden bun feet is one of the earliest examples created and until the late 1940s, Artek marketed this version of the armchair. The flowing, round lines are beautifully accentuated by the light sheepskin. Furthermore, the warm brown colour of the wooden feet nicely contrasts to the soft, light colour of the upholstery, creating a cosy look, not to mention that wooden bun feet make a long-lasting, rock solid foundation for any chair. The large curves and rounded edges of the body and feet are very inviting, asking the user to be embraced by the soft sheepskin. The Aulanko Hotel in Hämeenlinna (the city of Jean Sibelius) was in its time a luxury hotel of international relevance. In this “Aulanko” chair...

Armchair ‘Bridge’ designed by Axel Einar Hjorth for NK, Sweden, 1930s. The model was first exhibited at NK's spring exhibition in 1931 and at Ängby-villan in 1932. Our version, pictured above, was crafted using lacquered...

Sculptural armchair made in beech. Strong references to Swedish architect Axel Einar Hjorth. It is Axel Einar Hjorths dedication of Art Deco and Modernist aesthetics that make his...

Set of 4 sculptural armchairs made in beech. Made by a Swedish cabinetmaker. Strong references to Swedish architect Axel Einar Hjorth. A warm colour and patina that pair well wit...

Pair of Utö/Uto pine chair by Axel-Einar Hjorth, Sweden, circa 1930s. Produced by Nordiska Kompaniet.   

A pair of solid pine "Utö" side chairs, designed by Axel Einar Hjorth and produced by Nordiska Kompaniet, Sweden, 1930s. 17.25” seat height.

Produced by Nordiska Kompaniet, 1930s. Carefully restored/refinished.