Baroque Armchairs

Antique curved back carved walnut armchair with a very unusual form. Early construction / beautifully aged rich color / great old surface. Best guess is 18th century Italian. Direct ...

Fine French Louis XIII armchair. Made in the 17th century from walnut and equipped with hidden out sliding tray supports as a extra feature. We restored this armchair and reupholster...

18th century Italian giltwood armchairs.

A rare late-17th century French walnut, commemorative, open, vernacular, naive, folk armchair with incised initials 'JFP' on the left hand side block and 'dFP' on the right hand side...

French Baroque style hand carved fruit wood armchair with typical neoclassical rock and plant decorations, gold leaf gilded and painted over in additi...

This pair of open armchairs are characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashi...

This open armchair is characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashionable uph...

Impressive 18th century baroque armchair, Sweden, circa 1730. Upholstered in raw linen. Good condition with wear consistent with age and use. Historical secondary color. Structur...

Baroque Armchair, South Germany 19th century, walnut finely carved. Covered with a beautiful gobelin. In good condition. The armchair chair will be shipped from Germany. Shipping cos...

Good early 18th Century Franco-Flemish walnut armchair with arched upholstered back over shaped arms and upholstered seat over"horsebone" (os de mouton) shaped legs joined by similar...

Of comfortable size, the four beautifully turned legs joined by conforming stretchers, scrolling, carved arms. Clean up and polish included. The chair needs to be re-upholstered and...

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Rare and very special Spanish armchair, the back featuring a prominent coat of arms carved and with painted accents, conforming front stretcher. O...

Pair of 18th century style Italian walnut armchairs. Good carved details with pegged joinery. Hand caned seats with older custom fit cotton wea...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

With new leather seat and back, flat arms and carved stretchers. Provenance; Fogg Estate, Chestnut Hill Ma.

Pair of Italian baroque style 20th century armchairs with giltwood filigree frames, button-tufted burgundy and cream upholstery with embroidered flowers, and burgundy velvet seat cus...

Re-edition of an 18th century Venetian armchair, hand-carved with beautifully crafted detailing. Hand finished in a gesso white patina...

Pair of Italian Baroque style 20th century armchairs with gilt wood filigree frames & burgundy button-tufted upholstery with embroidered flowers and burgundy velvet seat cushions.

Oversized, stately armchair of comfortable proportions, leather covering with beautiful patina and accentuated with brass studs, turned legs and stretchers.

From the Veneto Region, very unusual and rare swivel chair with an open barrel back with three pierced splats, shaped seat above a swivel mechanism, on three exaggerated cabriole leg...

From the Susanne Hollis collection, a Baroque “Style” splat back armchair in an ebonized finish. Side chair also available.

Armchair with arms and high backrest of the type known as "frailero" upholstered in red and yellow textile, with fringes on the seat and the lower part of the backrest. The carved de...

This elegant armchair exudes classic gravitas, with scroll arms, fall turnings and triple toe feet The tapestry back depicting Flora underneath a bower is a distinctive feature. It...

Attractive 19th century Italian Baroque style carved walnut armchair with beautifully scrolled arms and legs. Upholstered with white and gold fabric. Measures: Arm height is 28 i...

Very Comfortable and Rare Armchair of Generous Proportions and stately appearance, exuberantly carved Beech Wood frame, with scrolling floral motives, wavy open arms, cabriole legs j...

Armchair Swedish Baroque oak, Sweden. A single armchair made in Sweden during the early part of the Baroque period. Frame made of oak with an upholstered b...

Pair of early 19th century walnut armchairs with giltwood finials. The armchairs are upholstered in an embossed gold metallic glazed charcoal colored ...

Exceptional Swedish Baroque 18th century armchair, circa 1740, origin: Sweden, with beautifully carved details such as shells, scrolls on...

Exclusive design by the Spanish family company Ascension Latorre. The company is known for their hand made furniture. The chair features an eboniz...

We are delighted to offer for sale this stunning original 17th century attributed to Andrea Brustolon hand carved Italian walnut armchair with Cherubs...

This early Baroque chair is made from rich Italian walnut. The broad antique frame was carved by the Italian sculptor and wood carver Andrea Fantoni, see accompanying photo. The arms...

A Baroque style carved walnut camelback armchair from the mid 19th century with scrolled arms and legs, cross stretcher and new upholstery. This Baroque style fauteuil features a slightly slanted camel back, from which two exquisite scrolled open arms emerge. Delicate acanthus leaves adorn the surface of these tall arms, gently leading the eye to the splayed, scrolled extremities. The rectangular upholstered seat is raised on four richly carved Flemish scroll...

Important ebonized Baroque Venetian armchair, circa 1780 Fratelli Mora. Produced by Fratelli Mora in Bergamo, factory established in 1778. At that time the main production was made ...

An armchair in made during the late Baroque period 18th century in southern Europe most likely Spain. Frame from oak in original finish.

18th century style Italianate, "Mediterranean" armchair, upholstered seat, padded armrests and woven cane back, with antique grey patina finish; William R. Eubanks interior design in...

Fine pair of Italian 19th-20th century baroque style giltwood carved winged throne armchairs, each finely carved throne with scrolls and wavy armrests, on cabriole carved feet. (New ...

Hand-carved walnut Louis XVIII style armchair with curved wood and tapered legs and brass nailhead trim. Seat depth - 20". Arm height - 28".

Wood carved armchairs from Napes, Italy, circa 1680. Very rare and has the antique fabric in good condition. Some parts appear gold leaf and other...

Unusual and theatrical pair of heavily carved armchairs, the backs featuring a pair of birds with finely detailed feathers.

Customized antique armchair. Finely carved wood frame, typical of the Rococo style. Reupholstered in a modern fabric. Wood refinished in silver leaf. Very sophisticated carved wood. ...

Hand-carved Swedish Baroque Captain's chair in black with gold trim and Swedish flag. Arms are covered in distressed leather with nail head trim. The chair is covered in gold design with motifs including leaves and shells. Exact provenance and meaning of symbols and letters is unknown. It is believed that this chair was created for the captain of a ship, making it a unique conversation piece for your space. Could be recovered or reupholstered with new leather or left distressed to highlight the age, patina, and history of the chair. This captain's chair would work well as an accent chair, side chair, or a statement dining room head chair...