Pair French Art Deco Mahogany Red Club Armchairs, 1930

A sunshine yellow meets a sunset orange in this ombré variegated Daum Nancy glass Carafe et Verre ensemble. Anyone up for fresh lemonade or merry Sangria. Perfectly sized for a party...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

Daum Freres Nancy; Edgar Brandt, Table light, circa 1925, Daum Nancy shade is variegated and mottled art glass with powder fusions of, white, orange...

An Edgar Brandt style four light wrought iron chandelier with Daum Nancy glass shades each signed Daum Nancy with Cross of Lorraine. Shades are in pink, purple and cream variegated d...

Durand Iridescent orange gold glass vase. With large beautiful proportions; this vase adds color and warmth to an important space. Perfect for that special gift! circa 1925. Ename...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Elegant and french Art Deco Club Chair from circa 1930. Classic art deco design with round and rectangular sides. Fully restored condition with black high-gloss piano lacquer on ...

Paul Follot (1877 – 1941) - A pair of Fine French Art Deco beech framed armchairs with a floral carved openwork on each side. Bibliography: "Paul Follot, un puriste en Art Deco, 187...

Joubert et Petit 'DIM' attributed pair of Art Deco mahogany club chairs.

A stunning pair of very comfortable Danish Art Deco club chairs/ bergeres with fluted pilasters capped with ionic capitals on the arm fronts, and arched and carved crest rail. Frames...

A fine pair of Art Deco white gold armchairs. White gold leaf with fluted front leg details.

Pair of French Art Deco mahogany Bergère armchairs with beige geometric upholstery attributed to Jules Leleu.