19 Century Pair of Walnut Gothic Revival Hall Chairs

PRESENTING a FABULOUS 19C English Rococo Revival Ecclesiastical Oak Hall Chair. Made in England (Britain) circa 1870 in the Rococo Revival Style from solid oak. The large carved ac...

PRESENTING A LOVELY 19C French Gothic Revival Bench/Stool or Organ Stool/Bench seat. Made in rural/provincial France (possibly Brittany) circa 1860-80 and in the Gothic Revival Style. We are of the opinion that the wood is ‘chestnut’ and not ‘oak’, as one would expect. The use of ‘chestnut’ makes this even RARER! Very ‘ecclesiastical’ in design and possibly would have been made for a Church, as the organ player’s stool/bench seat. Oblong/rectangular in shape. Unmistakably French, due to the base cross support design and construction, with circular central medallion (very ‘Breton’ in design) and wooden peg inserts for securing the base cross support on the outside of each side. This bench/stool is ‘nicer’ than most that have appeared on the market, due to it’s very good condition and the beautifully hand-carved decoration, beveled edges and raised arches on both sides. Also, the pair of carved gothic window-esque friezes on both sides, are a lovely touch! We are confident that this is a 19th Century piece, due to its natural aging, patina and when being re-upholstered it still had it’s original straw and horse (?) hair filling for the seat cushion. This Bench is part of an EXCEPTIONAL Private Dallas Collection. This Bench has IMPECCABLE PROVENANCE: It was purchased by an ancestor of the family (together with several other items also in the Collection), at a French Antique Auction held at the Club Room in the Stoneleigh Court (Hotel), Dallas on Wednesday the 2nd April 1930. (Now The Meridian Hotel). We have the Original Auction Catalog, which has remained with the Collection, since that Auction. (see photos). The Auction was titled: ” Works of Art and Furnishings of The Chateau de Turique (Nancy) and The Conde-Rougemont Home (Touraine). The cover of the Catalog also has a ‘seal’ of a Coat of Arms. The first page of the Catalog States: “Exhibition on Wednesday, April 2nd And Following Days From 10 A.M. to 10 P.M……EXHIBITION at CLUB ROOM, STONELIGH COURT, DALLAS, TEXAS”. The Second page gives a brief description of the Auction contents and states that ” This Exhibition will be presented by M. Fernand M. Adda of Paris France” This bench, we believe, was Lot No: 297 and was described in the Auction Catalog as: 297 – CARVED GOTHIC BENCH...

Presenting an absolutely stunning and historic 19th century American walnut childs chair belonging to Lida Calvert Hall 1867. This Chair has impeccable provenance: It is part o...

Beautiful early 19th century, circa 1830, William IV Period, mahogany Regency Gothic Revival wardrobe or armoire or linen press with central mirrored tabernacle and 5-drawer chest of...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

Presenting a lovely 19th century pair of Polish/German stoneware figures. Quite rare! Not a matching pair but similarly themed, with the little girl holding a basket of kittens with one kitten climbing up her front and the other of a little boy climbing a tree stump with a snail at the base. The ‘Little Girl’ is painted stoneware or earthenware and we are of the opinion is Polish in origin (or possibly Russian). It does not have any identifiable markings but it was originally with another similar style figurine (not included in this sale) which had markings that we were of the opinion were Polish markings. The ‘Little Boy’ is painted pottery and we are of the opinion that it is either Polish or German in origin. It is slightly different in style an texture to the girl and has a more ‘bisque’ finish. The facial features are more defined and remind me of German bisque dolls...

Bruce Talbert (attributed,) a pair of Gothic Revival walnut hall chairs.

A set of four Gothic Revival oak hall chairs, (two shown) carved and pierced backs with a crest, solid seats and shaped front supports. I will sell in pairs.   

Pair of neo-gothic chairs with high backs and gothic fretwork and carved details. Upholstered in embossed leather.

19th Century French Gothic Revival chair is a wonderful testament to the craftsmen of a bygone era! Hand-sculpted from old growth oak, it feature...

Pair of caquetoire / side chairs in walnut with carved scroll backs, and beige and pink floral patterned fabric. Neo / Revival Gothic Renaissance style, France, around 1890. St...

This set of six neo-Gothic chairs was made in the 1890s. The dark stained oak frame is intricately shaped and has typical neo-Gothic features. The various ornaments and decorative el...