Bassam Fellows 'Spindle' Chairs

A unique pair of 1970s French floor lamps, in the manner of Maison Charles, each gilt metal five light foliate plume issuing from classical twin-handled urn on pedestal base.

A contemporary brown travertine, bronze and statuary marble fireplace removed from the London residence of renowned interior decorator David Collins, the illuminated strip to the rea...

A fine set of six mid-Victorian carved oak and leather upholstered club armchairs, circa 1870-1880 in the French taste, with deep-buttoned back and scrolled arm rests with acanthus s...

19th century French Breche fire surround, in the Louis XVI style, the paneled frieze centred by foliate boss, the paterae corner-blocks above stop-fluted console...

An Irish Georgian brass register grate circa 1800, the moulded brass frame with roundels to each corner.

A nineteenth century French Pompadour fireplace, carved in Spanish Brocatello marble, the moulded and shaped shelf above panelled frieze on canted volute jambs. Wonderfully rich mate...

Inspired by the noble praying mantis, the signature stance and powerful limbs of this chair offers a study in contrasts. Strong and elegant, sharp and curved, thick and thin, the Mantis is sturdy and solid, yet visually light. Designer Craig Bassam conceived the chair to be a new American Classic, an object that possessed measurable gravitas and wasn’t overly indebted to the Classic dining chairs associated with midcentury Europe. From certain angles, the Mantis chair...

The Geometric collection from BassamFellows celebrates the sublimity of pure geometry championed by the Wiener Werkstätte and the Bauhaus. In the same way that designers of these two influential schools tested the liberating material properties of bentwood and tubular steel, Bassam refined a set of constraints to spirit cold-rolled tubular steel into forms that hold the horizontal planes of a seat deck or tabletop, achieving the poetic appearance of extreme lightness and suspension. These stately steel scaffolds operate as a connective tissue uniting the furniture’s functional elements in a Gesamtkunstwerk, or total work of art, a synthesis central to BassamFellows’ philosophy of formal and functional coherence in design. The geometric side chair elegantly combines a variety of materials in a single design. It features an ergonomically shaped seat carved from solid Walnut and a lightweight pellicle skin of Vienna caning...

The BassamFellows ovoid chair is a deceptively simple and casual chair derived from the pure geometry of elliptical forms. With a big sit despite a smaller...

Inspired by the noble praying mantis, the signature stance and powerful limbs of this chair offers a study in contrasts. Strong and elegant, sharp and curved, thick and thin, the Mantis is sturdy and solid, yet visually light. Designer Craig Bassam conceived the chair to be a new American Classic, an object that possessed measurable gravitas and wasn’t overly indebted to the Classic dining chairs associated with midcentury Europe. From certain angles, the Mantis chair...

The BassamFellows Brutus chair has its roots in the powerful Modernist vernacular of Perriand and Jeanneret, but is softer and visually lighter. It emphas...

The BassamFellows Wood Frame Collection has become one of the brand’s classic signatures. Adding to the collection are upholstered dining chairs and upholstered stools. The Woo...