English Regency Period Armchair

A beautifully simple pair of armchairs made by a French Breton cabinetmaker in the 1950s. The elegant mid to dark oak frames are complimented by the natural, original braided straw...

Pair of Northern Spanish armchairs with sheepskin upholstered cushions.

A pair of French Art Deco solid oak and papercord chairs by Charles Dudouyt. Foldable back rest with beautiful turned details throughout.

Hand carved lounge chair from a single piece of dense wood. Beautiful hand carved details and natural form from ageing of wood.

A Pierre Jeanneret ‘Student’ chair, model no. PJ-SI-25-A, in teak and rattan. Designed for the University of Panjab, Chandigarh, India, c.1958-...

An Italian 1960s armchair and ottoman with walnut frames and brass details to the feet, upholstered in a moss green velvet. CHAIR: D55 x W49.5 x H80 x SH37 cm OTTOMAN: L60 x W45 x ...

An English Regency period mahogany horseshoe back armchair from the 19th century, with balusters, large scrolling arms, carved volutes, turned legs, petite casters and red upholstery...

An uncommon circa 1800 English Georgian period country ladderback fireside armchair in elm with woven rush seat. Delightfully proportioned, with the tall six-slat back “towering” over the extra-low seat, and the frame having a laid-back profile. Hand-crafted of solid elm, with nicely turned arms, legs, and stretcher. Stands on carved club feet in front and simple metal band-reinforced feet in back. Displays very handsome authentic antique character, color, and patina throughout. Natural woven rush seat is likely not original, though it does have some age to it, is period-appropriate, and complements the overall look. Designed to bring a hearthside sitter closer to the fire, with its seat also being at a perfect height for a child. Antique ladderback...

Circa 1750 English Georgian II period mahogany armchair. The George II period was most noted for its intricate chairs. Like the other Georgian periods, this one was named after the monarch during the time. Under George II, mahogany became the predominant wood used for fine furniture. Many of the styles were symmetrical and had architectural curves, inspired by the Gothic. These works were very expensive and only the rich could afford and buy them. This specific armchair has a frame entirely carved from mahogany, which was a strong and durable wood that was also naturally water resistant and offers natural resistance against pests. The back of the chair has a splat design. Splats were an important element of eighteenth-century English chairs, offering support. It originated from the importation of Chinese Ming Dynasty chairs...

Amazing pair of early 19th century English regency cock fighting chairs crafted from mahogany. The frames have a padded curved back supported by gracefully curved arms decorated with...

This is a finely carved 1760 English George III armchair. The George III period was named after the English monarch of the time. It was popular among the elite and mercantile class of people, due to its excellent material and intricate carvings. Due to the multiple King Georges, each George developed its own look. The George III period is also referred to as the Chippendale style. This period was often characterized by drawing on both the Rococo and Gothic styles. Pieces sported curves, arches, Chinese influences, and cabriole legs. This chair has been entirely carved out of mahogany; a premiere wood choice known for its durability, longevity, and rich coloring. The back has an elegant splat, a principal element of eighteenth-century English chairs. Splats are the center support for a chair’s open back and originated from the importation of Chinese Ming Dynasty chairs...

An excellent Georgian period armchair in the Chippendale style. This very fine example was made in England, it dates from around 1760-80’s period. It is of absolutely fabulous quali...