French Aluminum Eiffel Tower Chairs by Gallerie for Slavik

Rare set of five cast aluminum peanut chairs designed by Stephane Rondel (French). Rondel is a Parisian designer who now resides in New Zealand. These cha...

Iconic klismos style dining chairs designed by Kerry Joyce for Dessin Fournir. The chairs feature a walnut frame with a dramatic profile upholstered with h...

Genuine set of Mid-Century Modern Eames for Herman Miller MKX-l wire mesh dining chairs. The chairs feature the iconic wire mesh seat conjoined ...

Iconic and rare set of four horned antler chairs designed by Edward Wormley for Dunbar. Known as 5580 model dining chairs crafted from mahogany with a caned seat. Arguably these are ...

Labeled set of six mid-century modern caned dining chairs featuring new modern boucle upholstery redux. Iconic chairs designed by Edward Wormley for Dunbar having walnut frames in an angular design with an ebonized finish. The rectangular back has a cane inset...

Glorious set of ten mahogany dining chairs made in the neoclassical French empire taste. The chairs feature decorative bronze mounts ...

New Eiffel Tower chair by Alain Moatti Materials: Structure in epoxy lacquered cast aluminum (suitable for outdoor and indoor) Dimensions: D 41 x W ...

Red new Eiffel Tower chair by Alain Moatti Materials: Structure in epoxy lacquered cast aluminum (suitable for outdoor and indoor) Dimensions: D 41 ...

New eiffel tower chair by Alain Moatti Materials: Structure in epoxy lacquered cast aluminum (suitable for outdoor and indoor) Dimensions: D 41 x W 44 x...

Gorgeous aluminum chairs by Pierre Guariche. Cast aluminum frame sits on four iron legs. Great vintage condition and beautifully minimal design. Extremely rare. The non conventional ...

Aluminum rational jigsaw chair by Studio Julien Manaira Dimensions: 65 x 46 x 94 cm Materials: brushed and waxed aluminum The intention behind this project is to highlight the traces from the actions of the maker. In this sense, the choice of the jigsaw is deliberate and allows a strong physical relation between maker and material, that will remain tangible in the final object. Each of these cuts is unique and have their own character emanating from what happened on the very moment of the making. They stand out from the regular and smooth cuts realized digitally in a factory. Digital and manual inputs have equal importance in the objects. They communicate their differences in order to create a strong dynamic between the two methodologies of work. Without suggesting which is better, they create their own narrative and are the reflection of two temporalities: the digital work is continuous when the manual work is the track of a particular moment. The created objects intend to be the presentation of these approaches of the material. The dynamic and anarchic way of cutting by hand respond to the linear and supervised vision of the computer-cut elements. The pieces intend to be functional objects carrying the narrated discussion between the controlled and uncontrolled treatments of the material. Julien Manaira (France,1992) successively studied industrial design (La martinière, Lyon) and fine arts -option product design (Esad, Reims). In 2015 he came to Amsterdam to follow a temporary master program (Materialisation in Art and Design) at the Sandberg Institute where he graduated in 2017 before opening his studio in the same city. His graduation project ‘The once liquid plastic’ was awarded by the RADO Star Prize 2017 and the 3rd prize of the Pure Talent Contest at IMM Cologne 2018. In the last years, he exhibited his works in different established and recognized organizations such as Paris Design Week, IMM Cologne, Design Parade Hyères, and Milan Design Week. He was commissioned by different companies, among which Nilufar Gallery, Nubikk, Van Dijk Store as well as private clients. The main focus in his practice is setting processes that allow the manufacturer or him to be mentally and physically involved in the transformation of material towards an object. He believes that this empowerment is a way to engage deeper the audience or user’s perception, and therefore create a stronger connection with the object. Serendipity, combining industrial and artisanal material, are examples of how he aims to create objects that are able to communicate their undergone transformations. Iris Box...

Set of 2 red new Eiffel Tower chairs by Alain Moatti Materials: structure in epoxy lacquered cast aluminum (suitable for outdoor and indoor) Dimensions:...