Joyce Brown Chaise Longue

This timeless classic chaise longue will make a chic impact in any area of the home. Showcasing an elegant black finish ash wood structure with p...

This chair is made of ash wood and features a brown leather padded seat with brass tips. Part of the Joyce collection, it embraces innovation and tradition, trying to shape objects...

The Joyce collection represents a blend of past and present, innovation and tradition in the attempt to shape objects designed to last over time. This ...

A splendid, sinuous objet d'art that will extraordinarily enliven both classic and modern decors alike, this chaise longue is handcrafted according to traditional techniques of first-rate materials. Fashioned of mahogany, the base supports an elegant and comfortable leather seat.

This polished armchair synthesizes comfort and sophistication. The support frame is in black-finished ash and includes four slightly inclined legs supporting its padded seat and back...

A skillful balance of straight and curved lines distinguishes the sophisticated design of this chair. The ash frame showcases a black finish and features slightly inclined legs. Grea...

Contemporary style Joyce lounge chair made of ashwood and Vienna straw Designed by Libero Rutilo Dimensions L84 W166 H94 cm Made in Italy by Morelato Joyce is a stylish lounge ...

Yan Chaise Longue by Doimo Brasil Dimensions: W 154 x D 74 x H 90 cm Materials: Structure: stainless steel, Seat: soleta. With the intention of providing good taste and person...

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Rattan / Burnt wood or natural Each piece is made to order and hand crafted by the artist. Dimension...

Jurgen Bey "Kokon Furniture" Chaise Longue. Manufactured by Droog Furniture The Dry Tech Project consisted of wrapping desolate furniture with synthetic fibers, creating ...

Chaise longue sleeper brown all in brown natural rattan with rocking feet.

Black ash chaise longue sculpted by Lupo Horiokami Dimensions: D 80 x W 250 x H 72 cm Materials: Black ashwood “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese), a preliminary presupposition for manifesting, producing, originating from “nothing”. Empty space to accentuate the innate temporary beauty of things: from the traditional japanese tattoo...