Mario Dal Fabbro Child's Chair in Plywood

Prototype folding chair of tubular metal with plastic ball caps and its original yellow mesh fabric sling dating to the late 1950’s or early 1960’s. By architect and designer Henry Glass, an Austrian emigre who worked with Gilbert Rohde in New York City in the late 1930’s and then studied in Chicago with Laszlo Moholy-Nagy. Glass was ahead of his time in his concerns with pre-fabrication, modularity, affordability, and ecological responsibility. He was known for his knock-down furniture designs–chairs and tables that folded, nested, or stacked for easy mobility and space-saving flexibility. Austere and visually interesting, these designs utilized inexpensive materials such as plywood, masonite, tubular steel, and canvas. The present piece, never produced, channels Gerrit Rietveld in proposing a low-cost mid-century outdoor chair...

Prototype stacking chair hand-built of an aluminum sheet and tubular aluminum by furniture designer and artist Richard Schultz as a full-size 3-D model exploring the ergonomic and sc...

Rectangular cocktail table of cut laminated plywood with solid wood supports. A well-constructed circa 1940s design with an architectural bearing, likely a one-off commission. The top sits within two lateral struts, giving the appearance of bridge architecture. . A design in the manner of Nathan Lerner...

Well-edited and lavishly illustrated survey of mid-century Italian ceramics, written by Hugo Blattler and published in Rome in 1958 by Aristide Palombi as part of the Arti Pratiche series, intended to contribute to an examination in depth of the material, as well as to the documentation and to the spreading of knowledge of each separate subject. Features vessels, lighting, fireplaces, and artworks by renowned artists such as Lucio Fontana, Salvatore Meli, Fauson Melotti, Gio Ponti, Antonia Campi, Marcello Fantoni, Franco Meneguzzo, Pietro Melandri, and Guido Gambone, along with a host of lesser-known figures. Stellar abstract designs throughout. Square 8vo (8.5” x 9”), 206 pages, hardcover, illustrated throughout in b/w. Slight lean to spine. Mild soiling to extremities, with chipping to corners. Professional repair to front hinge, as well as between pp. 194-5 and 204-5. Light chipping to first two leaves. The complete front cover remains of the dust jacket, which is still crisp and vibrant, with only minor chipping to top edge. Missing spine and back of dust jacket. A must-have for collectors and connoisseurs of Italian design and mid century ceramics.