Memphis Style Modernist Triangular Chair by Carl Tese

This Dan Johnson Viscount chair is in its original condition. It has a lovely patina and has kept its structural integrity due to its fine workmanship. Upholstered in its original bl...

Beautiful set of four handmade Maple Tavern chairs that were made in Connecticut. They were purchased from an estate in Westport. They were owned by the s...

We’ve restored this set of 6 Eero Saarinen for Knoll executive chairs using a 100% Cotton Italian Velvet in the color Emerald. Skilled craftsmen h...

We’ve restored this set of 2 Eero Saarinen for Knoll executive chairs using a 100% Cotton Italian Velvet in the color Pavo blue. Skilled craftsmen...

Montage has been restoring Saarinen Executive chairs for years in every fabric one can imagine, right in our very own workroom. We’ve restored these chairs using a stunning Italian V...

This petite slipper chair in the style of James Mont has multiple uses and is suitable as a cheerful accent chair in any room of the house. ...

This set of striking modernist chairs, in the style of Claudio Salocchi, features a black-lacquered wood base and a newly reupholstered seat in bone suede. The Sormani Edition chairs...

Gorgeous bentwood chair in red. Classic Memphis style chair with keyhole back. Heavy and well made. Some loss/wear to paint. Great standalone accen...

1980s Post-Modern Memphis Style chairs- 3 Pairs available Offered for sale is a pair of 1980s Post-Modern Memphis Style accent chairs with bent...

5 Memphis Milano style chairs, newly upholstered with a beautiful blue-green color fabric. Black coated metal frame and wooden back.

6 Abstract/Memphis chairs now available. They feature triangle wood back rest and legs that are geometrically pleasing to the eye. Frames are made out of...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...