"Custard Ma Ma' Chaise Lounge by Jonathan Trayte

Beautiful pair of 1-2-3 lounge chairs by Verner Panton for Fritz Hansen, 1970s.

Early production P40 lounge chair designed by Osvaldo Borsani for Tecno, Italy, 1950s. The lounge, with an extendable footrest, is designed to recline and can be set in several posit...

Early production lounge chairs model 1715L designed by Warren Platner 1966 for Knoll. Both chairs are in very good original condition with bronze wire construction. The Platner Colle...

From the Krefeld Lounge Collection, a pair of Krefeld Loung Chairs designed by Mies van der Rohe. The Krefeld Collection was designed in 1927 while planning the Esters and Lange resi...

Karuselli tilt and swivel lounge chair by Yrjo Kukkapuro for Haimi of Finland in original terracotta leather with a chocolate brown fiberglass frame. This model 418 easy chair is con...

Charles and Ray Eames designed low lounge armshell with X-base. Original zinc base, original screws, Original boot glides. Early transitional parchment fiberglass shell with large sh...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions such as at what point does survival stop and architecture begin? Once survival is assured, what memory of Earth or love for their new home would these interplanetary colonizers recreate first? The MAD Martian collection is the result of Ma Yansong’s meditation on these issues. Ma is famed for his design philosophy of ‘Shanshui City’, which integrates elements of traditional Chinese landscape design and painting into large-scale urban architecture. The resulting forms are closely tied to elements of the natural environment, conveying both elegant and gnarly lines. With this collection, M continues to employ the Shanshui City design philosophy – putting the contours of the natural environment front and center of the design language – but transplanting it into a science fiction narrative. Ma conceived of the collection as being Noah Beyond The Ark. Timber, used to build the ark, saved the great Old Testament patriarch from the deluge. In MAD Martian, Ma reasoned that in the future, highly advanced materials will catapult those few lucky chosen ones into safe extra-terrestrial environments, beyond the apocalypse. To convey this idea, the first seven pieces in the collection were made using a combination of old and new techniques: advanced machining with hand-finishing and cutting-edge form making finished with artisanal detailing. The MAD Martian collection employs the design language of science fiction, established during the mid 20th Century. Traces of the 1960s Space Race aesthetic are visible in the suspension lights, whereas the candelabras and the fish tank take their cue in part from later masterworks such as Alien and Blade Runner. This collection is the result of a two-year research and design development process. It started with a conversation between Yu Wang, co-founder and Director of Gallery ALL, and Ma about the theme of MAD Martian, and what a furniture collection of Chinese interplanetary pioneers would look like. On agreeing to produce the collection, the focus quickly turned to researching the history and current material language of science fiction movies, with specific reference to colonization of other planets and the ‘Space Odyssey,’ generally. Numerous discussions were had between the creative team at Gallery ALL, MAD architects...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions such as at what point does survival stop and architecture begin? Once survival is assured, what memory of Earth or love for their new home would these interplanetary colonizers recreate first? The MAD Martian collection is the result of Ma Yansong’s meditation on these issues. Ma is famed for his design philosophy of ‘Shanshui City’, which integrates elements of traditional Chinese landscape design and painting into large-scale urban architecture. The resulting forms are closely tied to elements of the natural environment, conveying both elegant and gnarly lines. With this collection, M continues to employ the Shanshui City design philosophy, putting the contours of the natural environment front and center of the design language, but transplanting it into a science fiction narrative. Ma conceived of the collection as being Noah Beyond The Ark. Timber, used to build the ark, saved the great Old Testament patriarch from the deluge. In MAD Martian, Ma reasoned that in the future, highly advanced materials will catapult those few lucky chosen ones into safe extra-terrestrial environments, beyond the apocalypse. To convey this idea, the first seven pieces in the collection were made using a combination of old and new techniques: advanced machining with hand-finishing and cutting-edge form making finished with artisanal detailing. The MAD Martian collection employs the design language of science fiction, established during the mid-20th century. Traces of the 1960s Space Race aesthetic are visible in the suspension lights, whereas the candelabras and the fish tank take their cue in part from later masterworks such as Alien and Blade Runner. This collection is the result of a two-year research and design development process. It started with a conversation between Yu Wang, co-founder and Director of Gallery ALL, and Ma about the theme of MAD Martian, and what a furniture collection of Chinese interplanetary pioneers would look like. On agreeing to produce the collection, the focus quickly turned to researching the history and current material language of science fiction movies, with specific reference to colonization of other planets and the ‘Space Odyssey,’ generally. Numerous discussions were had between the creative team at Gallery ALL, MAD architects...

The Chaise Longue, created by designer Tinja, has two soft rounded seats and offers a comfortable seat, while the rough and industrial surface of the metal structure creates a striki...

With seating on all sides, the Olivera Chaise Lounge becomes the natural focus of any room. Featuring Pavoni Perforated Leather and a Silicon Bronze base. This is a natural produc...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. This handcrafted chaise is clean, sensuous, and weather-defiant. The modern form references the organic shapes of bones and has pockets for nurturing live plants. DETAILS Indoor/outdoor use and extremely weather-resistant. Includes a three-piece outdoor cushion set in Sunbrella (in a color of your choice) FINISHES Available in earth, white, light grey, grey, dark grey, and black GFRC Pricing varies based on finish. Please message before purchasing. Price listed is for our standard light grey option. Pictured here in our dark grey cement option. All Opiary pieces are handcrafted and made-to-order, and dimensions/finishes are approximations. Clients are welcome to visit our Brooklyn studio during the fabrication of pieces. MODIFICATIONS Client can source cushion fabric of their choice. Live or silk plants...

Mermaid chaise lounge by Kenneth Cobonpue. Materials: polyethelene. aluminum. Also available in other colors. Dimensions: 170 cm x 69 cm x H 88 cm. The mermaid is a unique and...