Midcentury "Diapason" Steel Chaise-Longue by G. De Lucchi & T. Saracino, 1973

Triangular shaped coffee table with double wooden shelf covered in yellow (upper level) and black (lower level) Formica. Three tubular l...

Fine centerpiece in thick heavy crystal, with relief work on the bottom. Signed in scratch "Daum France", model "Cratère". Label of the producer Daum of Nancy laterally. France, 60s....

Valuable small console mod. "360" by Ico Parisi for Angelo De Baggis, Italy 1954. The piece of furniture, used as a small console, magazine rack or telephone stand, is made of shaped...

Particular and original restored oval coffee table with four cylindrical legs with flared feet. In the style of Angelo Mangiarotti, Italian production from the 60s.

Stylish magazine rack in straight and curved bamboo canes and wicker bands with curved handle. Attributed to Bonacina, Italian manufacture in the 60s. Wear consistent with age and use.

Stylish oval mirror with double frame and chain in curved bamboo cane and wicker band elements. Italian manufacture attributable to Bonacina, 1960s. Wear consistent with age and use.

Designed in 1973 by Giovanni De Lucchi and Titti Saracino, their "Diapason" chaise is made using a sheet of stainless steel attac...

Distinctive steel chaise longue, finished as forged iron and adorned in brass detail. Sold with newly-made tie-on upholstered cushion in antique hand-loomed French thistle and natural canvas. All...

Industrial, tubular steel frame, chaise longue with segemented chenille cushion with custom leather tie buttons resting on an upholstered chenille backing and mesh frame.

1950s chaise longue, mix of leather, sky and pony hair upholstery.

Amazing midcentury brown fabric and chromed steel chaise longue. This wonderful daybed is attributed to the American designer Paul Tuttle and was produced during the 1980s. This item is wonderful because of the structure of the chair, made of chromed steel and the tobacco brown fabric cover, made in one piece and adhering on the structure. The cover can be unsheathed from the back. The piece is incredibly elegant because of the structure and will smarten a living room or a midcentury studio. Paul Tuttle started out working in the studio of designer Alvin Lustig in Los Angeles. He soon received the Frank Lloyd Wright Taliesin West Fellowship, an apprenticeship program with mentorship from Wright himself. Tuttle moved to Taliesin West in Scottsdale, Arizona, and impressed Wright during his short stay of four months. Tuttle then moved back to Los Angeles and worked on furniture building by himself awhile, before serving as an apprentice to architecture firms Welton Becket & Associates and Thornton Ladd & Associates. As an apprentice, Tuttle worked on interior design. In 1956, Tuttle moved to Santa Barbara where he met Hans Grether, owner of the Swiss pharmaceutical company Doestch, Grether & Cie. Grether hired Tuttle as a design consultant shortly thereafter. In 1966 Tuttle gave a solo exhibition at the Pasadena Art Museum, cementing his position as a leading American designer. He also won the first ever Carson Pirie Scott Young Designer Award for the popular "Z" Chair in 1966. The design for the "Z" Chair, originally known as the "Rocket Launcher" would become Tuttle's most well known work. Tuttle was hired by Strassle in 1967 as a designer, and subsequently spent half his time abroad in Switzerland until he left the position in 1983. In 1978, Tuttle's work was featured in a solo exhibit called "Paul Tuttle, Designer" at the Santa Barbara Museum of Art. After leaving his designer position at Strassle, Tuttle continued at Strassle on a royalty only...

With its stunning design and ergonomic benefits, the Vaneau Relaxing Chair is the perfect successor to Le Corbusier’s LC4. It combines the warmth of a ...