Asian Chaise Longues

Finish Shown: Fawn Fabric Shown: Porto - Sand The bold Katsura Collection is inspired by the understated luxury of Asian heritage palace architecture that combines both feelings of ...

The chaise introduces a relaxed yet refined aesthetic to living interiors. Covered in a soft, wool-like fabric with a sleek base in Natural Walnut and Lucent Bronze Metallic paint. ...

Dazzling Modern chair, bold in character, this dazzling chair is unique in every way. Its one-of-a-kind shape was born from design exploration of the organic beauty and inspiration f...

Wrapped in an irresistibly soft chenille, this gracefully curved chaise offers curl-up comfort for one (or two). Its enveloping silhouette features a pins...

Follow the sun effortlessly with the lightweight Loop sunlounger. Find your perfect seating position by adjusting the back rest and enjoy your time spent outside.

A single-seater chair designed and produced by Raka Studio and finished in collaboration with Hamza Khan Shirwani. Made in solid ashwood by bending wood....

Louis XVI Chaise Longue reflects the final era of royal opulence before the upheaval of the French Revolution, antique Louis XVI Chaise Longue features more angular shapes than the R...

Structure: Teak wood – Aluminum: Antioxy, heavy load, anti-scratch easy clean. Weaving Round 18mm. Fixed Upholstery 100% Polyester. High Tenacity, Low shrinkage filament yarn made of...

The Two Seater No. 2, a chassis designed by Raka Studio using an ancient Japanese technique of bending wood. The design is inspired by the organic flows of nature and the natural sha...

Description: Chaise longue Color: Brown and plum Size: 155 x 75 x 47 H cm Material: Oak Collection: Mid Century Rhythm Upholstered bed bench, da...

The Claire Chaise by DeMuro Das has a curved back and seat and sculptural solid bronze legs in Satin finish. Construction includes solid hardwood frame with European webbing and mult...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the Bandas collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

Modularity taken to the limit. All the pieces in the BANDAS collection can be interchanged. An ingenious system, designed by Patricia Urquiola, allows the collection to be adapted to...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions such as at what point does survival stop and architecture begin? Once survival is assured, what memory of Earth or love for their new home would these interplanetary colonizers recreate first? The MAD Martian collection is the result of Ma Yansong’s meditation on these issues. Ma is famed for his design philosophy of ‘Shanshui City’, which integrates elements of traditional Chinese landscape design and painting into large-scale urban architecture. The resulting forms are closely tied to elements of the natural environment, conveying both elegant and gnarly lines. With this collection, M continues to employ the Shanshui City design philosophy, putting the contours of the natural environment front and center of the design language, but transplanting it into a science fiction narrative. Ma conceived of the collection as being Noah Beyond The Ark. Timber, used to build the ark, saved the great Old Testament patriarch from the deluge. In MAD Martian, Ma reasoned that in the future, highly advanced materials will catapult those few lucky chosen ones into safe extra-terrestrial environments, beyond the apocalypse. To convey this idea, the first seven pieces in the collection were made using a combination of old and new techniques: advanced machining with hand-finishing and cutting-edge form making finished with artisanal detailing. The MAD Martian collection employs the design language of science fiction, established during the mid-20th century. Traces of the 1960s Space Race aesthetic are visible in the suspension lights, whereas the candelabras and the fish tank take their cue in part from later masterworks such as Alien and Blade Runner. This collection is the result of a two-year research and design development process. It started with a conversation between Yu Wang, co-founder and Director of Gallery ALL, and Ma about the theme of MAD Martian, and what a furniture collection of Chinese interplanetary pioneers would look like. On agreeing to produce the collection, the focus quickly turned to researching the history and current material language of science fiction movies, with specific reference to colonization of other planets and the ‘Space Odyssey,’ generally. Numerous discussions were had between the creative team at Gallery ALL, MAD architects...

The MAD Martian collection began with a question: What would the Chinese colonization of a Martian planet look like? This naturally led to more questions such as at what point does survival stop and architecture begin? Once survival is assured, what memory of Earth or love for their new home would these interplanetary colonizers recreate first? The MAD Martian collection is the result of Ma Yansong’s meditation on these issues. Ma is famed for his design philosophy of ‘Shanshui City’, which integrates elements of traditional Chinese landscape design and painting into large-scale urban architecture. The resulting forms are closely tied to elements of the natural environment, conveying both elegant and gnarly lines. With this collection, M continues to employ the Shanshui City design philosophy – putting the contours of the natural environment front and center of the design language – but transplanting it into a science fiction narrative. Ma conceived of the collection as being Noah Beyond The Ark. Timber, used to build the ark, saved the great Old Testament patriarch from the deluge. In MAD Martian, Ma reasoned that in the future, highly advanced materials will catapult those few lucky chosen ones into safe extra-terrestrial environments, beyond the apocalypse. To convey this idea, the first seven pieces in the collection were made using a combination of old and new techniques: advanced machining with hand-finishing and cutting-edge form making finished with artisanal detailing. The MAD Martian collection employs the design language of science fiction, established during the mid 20th Century. Traces of the 1960s Space Race aesthetic are visible in the suspension lights, whereas the candelabras and the fish tank take their cue in part from later masterworks such as Alien and Blade Runner. This collection is the result of a two-year research and design development process. It started with a conversation between Yu Wang, co-founder and Director of Gallery ALL, and Ma about the theme of MAD Martian, and what a furniture collection of Chinese interplanetary pioneers would look like. On agreeing to produce the collection, the focus quickly turned to researching the history and current material language of science fiction movies, with specific reference to colonization of other planets and the ‘Space Odyssey,’ generally. Numerous discussions were had between the creative team at Gallery ALL, MAD architects...