Set of Twelve Neoclassical Dining Chairs

Small Settee in the neoclassical taste Boston, Massachusetts (active 1804–17), about 1810 Mahogany (secondary woods: ash) Measures: 35 1/8 in. high, 59 3/4 in. long, 19 1/8 in. deep Although the diminutive scale of this settee places it in a unique category, the piece itself partakes of a vocabulary that is common in Boston furniture of the Late Federal period. Its sabre legs, for example, as seen straight on from the left and right ends, are closely related to the legs, as seen from the front, on a group of chairs of undisputed Boston origin, including a spectacular armchair with scrolled arms (see Stuart P. Feld, Boston in the Age of Neo-Classicism, 1810–1840, exhib. cat. [New York: Hirschl & Adler Galleries, 1999], p. 37 no. 6 illus. in color), as well as a number of side chairs, including a set made for Nathan Appleton (see Page Talbott, “Boston Empire Furniture, Part I,” The Magazine Antiques, CVII [May 1975], p. 887 fig. 12). In all, the legs are ornamented with two bold, somewhat flattened reeds set between corner beads, a pattern which is repeated here on the front and end seat rails as well. The superb quality of the piece is further demonstrated in the finely drawn profile of the arms, as well as the delicately bulbous surface of the fronts of the arms and legs. As in the best of the related chairs, the sabre legs end in delicately carved paw feet. The added refinement of the beautifully carved rosettes at both the fronts and backs of the arms suggests that the piece may have been designed to be used in the round. Stylistically harmonious with these pieces is also a group of larger sofas with frontally set sabre legs and scrolled arms (see Page Talbott, “Seating Furniture in Boston, 1810–1835,” The Magazine Antiques, CXXXIX [May 1991], p. 963 pl. 11) that represent an indigenously Boston form. Although none of the furniture in this group has been effectively attributed, they can certainly be related to various Boston card tables...

New York, circa 1815-1820. Wood, gessoed and gilded, with mirror plate. 75 1/2 in. high, 44 1/8 in. wide (at the cornice), 8 1/2 in. deep (at the cornice). Condition: Some restorati...

FAPG 20555D/2 Pair "Fauteuils," or armchairs, en Gondoles, circa 1830-1835 New York Mahogany (secondary woods: ash) Each, 31 1/2 in. high, 21 1/8 in. wide, 21 1/8 in. deep (over...

French, circa 1820. Porcelain, painted and gilded, with applied bisquit flowers 8 13/16 in. high. Inscribed (with incised mark, under the base of each): 3.   

American, circa 1850-1880. Eastern white pine (Pinus strobus), with wire armature and composition ornament, gessoed and gilded. Measures: 14 1/8 in. high, 16 5/16 in. wide (at the sh...

Attributed to Schoelcher, Paris, France, circa 1830. Porcelain, painted and gilded. 16 1/4 in. high, 9 1/2 in. wide, 9 1/2 in. deep. Ex Coll.: by repute, Joseph Bonaparte...

A very good quality set of twelve 18th century Portuguese dining chairs, each with carved and fretted gilded foliate decoration, stuff over embo...

An exceptional set of twelve dining chairs by Maurice Pré, made of Ash with their original upholstery. A very unusual design for a French designer, they bear some Italian cues. The s...

Set of 13 fine French Neoclassical cherry wood dining chairs in an Empire-Directoire style with carved and blackened wood details.

This set of 12 mahogany Rungstedlund dining chairs designed by Ole Wanscher were produced during the 1960s and 1970s by Poul Jeppesen Furniture. The dining chairs are part of the Rungstedlund dining furniture series designed by Ole Wanscher and named after author and adventurer Karen Blixen...

Set of four carved Art Deco neoclassical style dining chairs in dark flame birch from c. 1930's Sweden. Seats have been newly rebuilt, padded and covered in ivory duck cloth - and a...

Set of twelve fully restored and refinished dining chairs in rosewood with floating seats designed by Erik Buch for Oddense Maskinsnedkeri The chairs have a simple appealing and s...