This Chair and Ottoman in Chrome with Bamboo Motif is no longer available.

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Chair and Ottoman in Chrome with Bamboo Motif For Sale

Upholstered chair and ottoman with chrome frame in bamboo motif,
American, 1970s.

Mid-Century Modern Chair and Ottoman in Chrome with Bamboo Motif For Sale

North American Chair and Ottoman in Chrome with Bamboo Motif For Sale

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Chair and Ottoman in Chrome with Bamboo Motif

About

Upholstered chair and ottoman with chrome frame in bamboo motif, American, 1970s.

Details

Of the Period
Mid-Century Modern
Place of origin
North America
Date of manufacture
1970s

Period
1970-1979
Condition
Excellent. couple of small spots on fabric.
Wear
Wear consistent with age and use.

Dimensions
H 28 in. x W 25 in. x D 28 in.
H 71.12 cm x W 63.5 cm x D 71.12 cm
Seller location
New York, NY
Seller reference number
chair&ottoman45

Sold As
Set of 2
Reference number
LU78384973103

Shipping, Returns & Payment

Shipping
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Return Policy
This item cannot be returned or exchanged.
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Online Payment Methods
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About Milo Baughman (Designer)

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, having a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. Baughman was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on chair and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating. As you will see from the furniture presented on these pages, Milo Baughman’s designs are ably employed as either the heart of a décor or its focal point.