Easychair by Wengler

Rocking chair in bamboo with cushion in Fontainebleau (colour: Maronnier) by Pierre Frey. R. Wengler

Reupholstered armchair in light lambskin and dark stained wood legs. Birte Iversen / A.J Iversen.

Bamboo wicker chair with new cushion in Toile Mistral (colour: Delphinium) from Pierre Frey. Tove Kindt Larsen / R. Wengler

ML 91 - Reupholstered easy chair in new textile (Elle from Kvadrat, code 0220 and 0280 respectively) with legs in patinated oak. Illum Wikkelsø / Mikael Laursen.

Rare pair of armchairs (model S102) made of metal, original French cane and stained beech from the 1930s. Literature: 'Nyt Tidskrift for Kunstind. Maker Fritz Hansen.

'Madame' armchair in bamboo and woven cane. Designed 1951. Nanna Ditzel / Wengler

While Kay Fisker is considered a leading exponent of Danish Functionalism, his present design shows why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler. Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognizable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the and the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that. The manufacturer, Robert Wengler was a German craftsman who specialized in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a Pioneer in working with rattan in the early 20th century and became the most skilful wicker-maker in Denmark. This chair is marked by his brand, R. Wengler. Condition: In good vintage condition. Wear consistent with age and use. Some discoloration and marks of restoration on the cane. Dimensions: 33.46 in W x 37.59 in D x 38.18 in H; Seat height 18.5 in 85 cm W x 95.5 cm D x 97 cm H; Seat height 47 cm About the Designer: Kay Otto Fisker (born 14 February 1893 in Frederiksberg, died 21 June 1965) was a Danish architect and professor at the Academy of Fine Arts. He was an exponent of a nationally shaped version of international functionalism. Fisker graduated from school in 1909 and attended the Academy of Fine Arts' School of Architecture from 1909 to 1920, when he graduated as an architect. During his studies he was employed at Anton Rosen's architect's office from 1912, in Stockholm with Sigurd Lewerentz and Gunnar Asplund in 1916 and with Hack Kampmann in Copenhagen from 1918. In 1915, in collaboration with Aage Rafn...

Rare easy chair designed by Viggo Boesen. Produced by R. Wengler in Denmark.

Easychair, model 33 by Carl Edward Matthes, 1952. Produced by CE Matthes Denmark. This chair was produced for only 15 years. The frame is made in beech wood. ...

Old FRied Egg easychai by Hans Olsen for Bramin Denmark 1956. Produced 1950s in solid teak. Old versiion with screws. Later reupholstered in a red wool fabric from Kvadrat. This work...

Rare pair of easy chairs model 3440 designed by Viggo Boesen. Produced by R. Wengler in Denmark. Original cushion (for 1 chair).

Easychair designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. Charlotte Perriand designed Ombra in 1953, taking as her reference her Ombra Tokyo...