Teak and Woven Leather Lounge Chairs

Pair of brown leather easy chairs with stainless steel frames.

lounge chair upholstered in brown suede w/aluminum base

Hans Brattrud pivot lounge chair for Hove; steel made by Ekornes

Leather lounge chair with tension wire by J.H. Varichon.

Preben Fabricius and Jorgen Kastholm lounge chair and ottoman upholstered in leather and matte chrome steel, Denmark, 1960s.

Jacques Henri Varichon chrome and steel tensioned wire suspension lounge chair, circa 1970.

Stunning vintage modernist boucle and leather lounge chairs designed and manufactured in the United States, circa 1960s. These chairs present an innovative design that shines for the...

Amazing Italian modernist leather lounge chairs designed in Italy, circa 1950s. These chairs have a clear influence on the designer Gio ...

Fabulous vintage leather slipper lounge chairs in the manner of Ludwig Mies van der Rohe. These chairs have an innovative design in which thei...

Mid century black leather and chrome slipper lounge chair Chair measures: 22.5 wide x 30 deep x 32.5 high, with a seat height of 17 inches All pieces of furniture can be had in w...

Marco Comolli for I.C.F. De Padova, lounge chair model 'CP1', leather, walnut, italy, 1960s This well-constructed slipper chair embodies a splendid structure based on a simplistic,...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...