Mahogany Settees

Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with decal manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair...

Oak framed Classic sofa designed by Kaare Klint and made by Mastercabinetmakers Rud Rasmussen. Beautiful crisscross frame-work. Original upholstery which will make a statement in any...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern Rare 3-seater sofa model no 5011 designed by Kaare Klint and manufactured by cabinetmaker Rud Rasmussens Snedkerier in...

Iconic original safari chair by professor Kaare Klint. Designed 1927. This version dates to the 1960s and is executed in solid ash. Nice patina to the wood, and left unrestored. The ...

Kaare Klint. A three-seat sofa with mahogany legs, seat, sides and back with blue-, red- and whitestriped Greek Savak. Executed by Rud. Rasmussen, Copenhagen.

Kaare Klint 'Red Chair' in Cuban mahogany, Niger leather and brass nails. Executed by Rud. Rasmussen 1936-1940. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/...

The Barcelona chairs were designed between 1927 and 1932 by Kaare Klint, who is considered to be the father of modern Danish furniture design. This chair was made by cabinetmaker R...

Three-seater sofa with eight tapering mahogany legs. Sides, seat and back upholstered with striped savak wool presumably in the last 10-20 years with natural leather pipings. Model 6...

Elegant and comfortable two-piece settee in original gray leather on aluminum-clad bases. Leather professionally refinished. Two matching settees are available. They are price...

Kaare Klint bergere of mahogany. Sides, seat and back with woven cane. Loose cushions in seat and back upholstered with patinated leather. Executed by Rud. Rasmussen cabinetmakers.

Kaare Klint three seat sofa with eight legs of Mahogany. Seat, sides and back upholstered with blue, red and white striped "Savak" wool, niger leather edgings. Executed by Rud. Rasmu...