Settee by John Saladino for Dunbar

A rare model 5316 sofa designed by Edward Wormley for Dunbar in 1953. Floating back with exposed mahogany frame. Fully restored and upholstered in Holly Hunt / Vladimir / Silver Fog ...

A leather Alle sofa designed by Nanna Ditzel for S.C. Sorensen, Denmark.

A small sofa / settee designed by Edward Wormley for Dunbar. Iconic form with tapered brass legs. Fully restored and upholstered in Designtex / Lambert / Smoke.

A versatile pair of slipper chairs with mahogany frames and leather/wool upholstery. Designed by Edward Wormley for Dunbar.

Sesann Sofa by Gianfranco Frattini for Cassina in original dark brown leather.

A pair of BO561 sofas in original red leather designed by Preben Fabricius & Jørgen Kastholm, 1962.

Dunbar “Kips Bay Sofa” by John Saladino edited by Stanley Tigerman for an interior.

Rare pair of settees designed by Edward Wormley for Dunbar Furniture. Settees feature an armless profile complete with two mahogany "sled" like legs. These occasionally come up in so...

A Janus Collection corner sofa produced by Dunbar and designed by Edward Wormley. Model 629A. Upholstered in Rogers and Goffigon fabric.

Bronze-plated steel, upholstery. Produced by Knoll. Rare bronze finish variant with new upholstery.

A black leather "Cab" settee, in the original leather.

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...