Jacobean Revival Style Leather Upholstered Oak Side Chair, 19th-20th Century

A 19th Century Victorian Ebonized, Decorated and Upholstered Side Chair measuring 16.5" in width, 19" in depth and standing 34" in height. Seat height is 18" with great patina.

A 20th Century Victorian with rish seat Side Chair measuring 19" in width, 19" in depth and standing 33.5" in height. Seat height is 18".

An Early 20th Victorian Carved Walnut and Upholstered Side Chair measuring 20" in width, 20" in depth and standing 36.25" in height with a seat height of 18"

Pair of 19th Century Victorian American Walnut and Needlepoint Upholstered Seat Side Chairs. Measures 17" in width, 17" in depth and stands 34" tall. Seat height is 17.

20th Century Victorian Style Walnut and Cane Seat Side Chair. measures 20" in width, 20" in depth and stands 34.25" tall. Seat height is 17.75".

19th Century Victorian Carved Magogany and Upholstered Chair. Measures 20" in width, 22" in depth and 36" in height. Seat height is 18".

A vintage pair of Jacobean walnut tall side chairs with carved scroll legs and stretcher and upholstered in a gold painted silk with nail head trim.

Late 19th century Queen Anne Revival style side chair. Boldly contoured back. Raise on cabriole legs with pad feet. Pad rear feet & generously proportioned stiles. 41" H., 22" W., ...

Pair of upholstered armchairs in the Jacobean revival style, circa 1890s. Features include a slight domed back and flared arms. Constructed on very sturdy frames of English walnut, t...

A superb and striking pair of Sheraton Revival mahogany and satinwood banded chairs, Circa 1900 in date. The high back chairs feature satinwood banding with boxwood and ebonised line inlay and wonderful foliate carved decoration. The square tops are supported by a pair of ionic columns which frame rails above criss-cross splats. The overstuffed golden upholstered seats are above satinwood banded seat rails and the chairs are raised on reeded taping legs that terminate in decoratively carved spade feet. It is rare to find such a perfectly sculpted pair of chairs. THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation. Dimensions in cm: Height 96 x Width 47 x Depth 49 - Chairs Dimensions in inches: Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...

"A charismatic 19th century Henry II side or desk chair, circa 1870s. Drawing inspiration from Spanish and Renaissance Revival. Made from mahogany with an aged brown leather having g...

19th century Spanish leather oak chair