Baroque Side Chairs

Pair of midcentury chairs made from black metal structure and red skai seat and back. Silver painted feet and brass studded backrest. The special structure of the metal rod gives a c...

A Louis XVI style 'Boudoir' chair.

Designed by Per Holland Bastrup in 1989, the Frama Triangolo Chair embodies a breathtakingly progressive, sculptural design. Defined by sleek lines an...

Pair of 1920s French gilt carved wood Louis XVI petite chairs .Hole in caning on back of one chair.

A pair of French Louis XV style painted and gilt wooden child's side chairs from the early 20th century, with carved flowers and new upholstery. Created in France during the first quarter of the 20th century, each of this pair of child's chairs features a slightly sinuous back, topped with carved flowers and upholstered with a double welt neutral muslin fabric. The seat, recovered with the same fabric, is resting on four cabriole legs with scrolling feet. This pair of French Louis XV style 1920s chairs...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

The Treble side or armchair by DeMuro Das has a curved profile supported by a three-legged wood base finished in Dark Espresso. A solid hardwood frame with European webbing and multi...

Mid-Century Modern slipper style chairs by Lane with sturdy wood frame. Frame is exposed on the back side, and the back is angled for support. (...

A finely drawn pair of late 19th century giltwood and embossed leather side chairs in the George I Style. English Circa 1880-1900. Each having domed waisted embossed leathe...

A Classic and handsome pair of baker neoclassical style occasional chairs newly upholstered in a creamy white ecru velvet with black grosgrain detai...

Pair of 1920s gilt wood petite side chairs.

If you are looking for the perfect antique, more traditional style side chair, look no further. This chair and all it's carved wood details is amazing. I don't know that I've seen a ...