Forged Side Chairs

French wooden rustic 19th-century armchair featuring a unique organically shaped base, straight armrests, and a lift-up seat revealing a concealed storage compartment. The piece is c...

Pair of chic undulating 'Méandre' side chairs by Design Frères. Bronzed steel frames. Natural linen upholstered cushions. These Méandre™ chairs from our exclusive Design Frères® li...

Pair of Biedermeier chairs; two female walnut chairs with rose colored upholstery.

An unusual early fibreglass chair by Kaj Lyngfeldt Larsen & Steen Ejler Rasmussen for Bovirke Denmark.

Original pair of Gio Ponti folding rattan chairs. For Fratelli Reguitti. Italy circa 1950s ebonized wood and rattan. Restored. Fully functional. S...

Pair of Méandre™ dark bronze side chairs by DESIGN FRÈRES®. Chic and understated.

Pair of midcentury chairs made from black metal structure and red skai seat and back. Silver painted feet and brass studded backrest. The special structure of the metal rod gives a c...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

A wrought iron strap garden lounge chair with great sculptural form in beautifully aged original surface. Russell Woodard, circa 1950 - 1960. Look at all pictures and read condition ...

Impressive & fully original Florentine Renaissance Savonarola chair in carved walnut. Restored in our workshop and it looks simply stunning. Armrests ending with two amazing hand-c...

Shop Salterini Garden Furniture and Woodard Garden Furniture listed here or other Vintage Wrought Iron Patio Furniture Pieces online at our 1stDibs Store Front. Our Vintage Wrought I...

The Stay Side Modern Accent Vanity Chair is a must-have addition to any seating space. This striking chair features a sleek brass metal frame that adds a touch of elegance to any roo...