Painted Side Chairs

We have been searching for a correct size and “comfortable by American standards” Louis XVI side chair. Copied from an original circa 1800s French Louis XVI side chair...

For years we have been searching for a proper size and “comfortable” Louis XVI side chair. Finally we came upon a beautiful set from the 1800s in the style of Jacob from Chateau de I...

Pair of Italian Neo-Classic (18th Century) black painted side chairs with curved backs and rectangular tops carved in a two-wreathed swag rese...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Here is a beautiful Empire chair that we purchased in Naples, Italy. This is a classic style, with a fun pop of color with blue velvet that can be left as is or can be reupholstered ...

A vintage circa 1970's pair of Mexican iron garden or side chairs done in the style of the well known Model 17 chair designed by Michael Thonet and produced by Gebruder Thonet in the early 1860's. This pair of iron chairs...

Pair of 1940's French Iron Arrow Back Side Chairs... Garden, black-painted metal side chairs with arrow design backs and perforated seats over four thin spl...

Handsome pair of Thonet bentwood Mid-Century Modern chairs in black with black vinyl upholstery. They are in good vintage condition. The vin...

The room for Irregularities collection focus on highlighting unconventional shapes and promoting irregularities. The side chair, a six-legged industrial animal with bent horns often ...

Antique industrial aluminum rolling desk chair by General Fireproofing co. Amazing patina, surface and finish, curved aluminum slat back for optimum ...

Set of 4 classic industrial metal side chairs by Ohio Steel, pressed painted steel, retain original finish and patina.

Rare first production Revolt armchair designed by Friso Kramer for Ahrend de Cirkel, Holland, 1953. This chair was made for the TH Delft who commissioned Friso Kramer and Ahrend to decorate the new interior. These famous TH Delft chairs...

Set of 4 Outdoor American Art Moderne black and gold trim painted metal side chairs with lyre form backs and upholstered seat

Pair of French Modern Jean Prouvé style metal chairs upholstered in blue sheepskin. These French midcentury chairs or side chairs have a great distresse...