Wool Sofas
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Material: Wool
Creator: Florence Knoll
1960s Florence Knoll Sofa Reupholstered in Wool Mohair
By Florence Knoll, Knoll
Located in Palm Springs, CA
A stunning vintage 1960s Florence Knoll sofa that we had redone and reupholstered in a beautiful Kravet wool mohair. Color is called indigo blue. A rich navy color. We had 6 extra ba...
Category
1960s Italian Mid-Century Modern Vintage Wool Sofas
Materials
Steel
Completely Restored Florence Knoll 25 BC Three-Seat Sofa by Wohnbedarf, 1950s
By Knoll, Florence Knoll
Located in Renens, CH
Three-seat sofa designed by Florence Knoll for Knoll International, and produced under license by Wohnbedarf AG, in the early 1950s.
The sofa still has the original Wohnbedarf metal shield on the underside, which is in many cases lost after almost 70 years of age.
The “25 BC...
Category
1950s European Mid-Century Modern Vintage Wool Sofas
Materials
Wool
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Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment.
To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections.
Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices.
In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world.
While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies.
Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...
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