Danish Sofas

Oak framed Classic sofa designed by Kaare Klint and made by Mastercabinetmakers Rud Rasmussen. Beautiful crisscross frame-work. Original upholstery which will make a statement in any...

Kaare Klint for Rud. Rasmussen, sofa, model ‘4118’, Niger leather, mahogany, brass, Denmark, design 1930, production mid-1960s Kaare Klint originally designed the present three-sea...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern Rare 3-seater sofa model no 5011 designed by Kaare Klint and manufactured by cabinetmaker Rud Rasmussens Snedkerier in...

Kaare Klint. A three-seat sofa with mahogany legs, seat, sides and back with blue-, red- and whitestriped Greek Savak. Executed by Rud. Rasmussen, Copenhagen.

Kaare Klint for Rud Rasmussen, 'Addition', model ‘4698’ sofa and ottoman, leather, mahogany, Denmark, design 1933, production afterwards This set consisting of a 'Addition' sofa and...

Kaare Klint for Rud.Rasmussen, sofa, model '4118', leather, mahogany, Denmark, design 1930, production 1981 Kaare Klint originally designed the present three-seat sofa, known as 411...

The vintage design two-seater sofa model 5011 created by Kaare Klint. This iconic piece is crafted in original cognac leather and features a distinctive six-legged mahogany base. The...

Kaare Klint for Rud Rasmussen, sofa model '5011', leather, wood, Denmark, design 1935. Classic and elegant Scandinavian three-seat sofa by Kaare Klint designed in 1935. The high bac...

Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with decal manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair...

This reupholstered Kaare Klint 4118 sofa is the centrepiece of our recent collaboration with Marthe Armitage Prints for London Design Festival 2023. ...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint & Rud Rasmussen snedkerier. A stunning pair of rare Kaare Klint Model no. 4118S two-seater box-shaped sofas with profiled cross legged mahogany frame. (Also called X-Bas...

Three-seater sofa with eight tapering mahogany legs. Sides, seat and back upholstered with striped savak wool presumably in the last 10-20 years with natural leather pipings. Model 6...

Kaare Klint three seat sofa with eight legs of Mahogany. Seat, sides and back upholstered with blue, red and white striped "Savak" wool, niger leather edgings. Executed by Rud. Rasmu...

Rare Kaare Klint Model 4118 two-seat box sofa with profiled cross legged mahogany frame. Made by Rud Rasmussen, Copenhagen, Denmark. Upholstered...

An early all-original settee / two-seat sofa. Designed by Kaare Klint, produced by cabinetmaker Rud Rasmussen, Denmark, c. 1940s. Model 5011, designed in 1935. Legs in mahogany.

Kaare Klint freestanding three-seat sofa on eight-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with patinated red leather. Model 4118. Executed by Rud. Ras...

- Suitable for new reupholstery - Good original condition with some signs of use.

Kaare Klint freestanding two-seat sofa on six-legged, profiled mahogany cross-frame. Sides, seat and back upholstered with patinated leather. Executed by Rud. Rasmussen, Copenhagen. ...

A majestic sofa having a sculptured body resting on eight (8) tapered mahogany legs, retaining the original red, navy and beige striped wool fabric. Desi...

A two-seat 4118 settee designed by Kaare Klint and made by a master cabinetmakers Rud Rasmussen in Denmark, circa 1940. The exquisitely sharp yet flowing lines of the sofa make the h...

A two-seat model 5313 settee designed by Kaare Klint in 1935 and made by master cabinetmakers Rud Rasmussen in Denmark, between 1935-1945. The economy of line in this design is su...

KK 4118, 3-seat sofa with solid mahogany crossed legs and new niger leather. Designed in 1929. Maker Rud. Rasmussen.

A vintage model 6092 three to four seat sofa designed by Kaare Klint for Rud Rasmussen, 1940. The settee stands on eight tapered solid mahogany legs which give the design gracefulness and lightness despite its size. The sofa is upholstered in its original 'Greek Fabric...

KK 6092 two-seat sofa. Two pieces in stock. Maker Rud. Rasmussen.

A two-seat 4118 settee designed by Kaare Klint and made by cabinetmakers Rud Rasmussen in Denmark, circa 1940. The exquisitely sharp yet flowing lines of the sofa make the high-le...