Anodised Wicker Stool by Tino Seubert

From early on in his bachelor studies in Bolzano and Paris Tino Seubert started working for art galleries and realised several projects with them. From then on, the German born produ...

From early on in his bachelor studies in Bolzano and Paris Tino Seubert started working for art galleries and realised several projects with them. From then on, the German born produ...

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and experiential environments and objects, demonstr...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...