Joan Busquets, Tabouret, Spain, Late 19th Century

This pair of slipper chairs in the Art Deco aesthetic, plush and high backed, upholstered in velour with lavender piping.   

Equipoise, Thomas Pheasant's visually striking lounge chair, possesses the elegant balance suggested by its name, resting upon three perfectly placed planes of polished wood which cr...

Limited edition of twenty. With this wholly modern lounge chair, interior designer Thomas Pheasant evokes the elegance and delicacy of the Japanese art of paper folding. The base,...

A contemporary lounge chair of cleverly arranged geometric forms -- an oversized oval seat with a perpendicular circular back, set upon sleek patinated bronze, triangular feet...

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...

A charming little rectangular stool by Jacques Quinet.

A unique 19th century Napoleon III Tripod Piano Stool richly carved in mahogany and mustard-colored velvet.

We love the elegant silhouette of this pair of late 19th-century chairs, discovered in the South of France and newly upholstered in Schumacher's Apolline Botanical fabric. With high ...

Original Kohn bentwood stool with Viennese weave from the end of the 19th or beginning of the 20th century from the J.&J company. Kohn, Austria. The stool is made of bent beech wood ...

Pair of late 19th century mahogany stools with gadrooned edge and cabriole leg ending in ball and claw foot.

1494 Antique 19th century milking stool initialed WD Top diameter 11"

Sgabello in porcellana, riccamente decorato sull'intera superficie con un drago ed una fenice entro riserve circolari su uno sfondo continuo a meandri e greche. Varie bande decorativ...