Pair of Porcelain Enamel Soda Fountain Stools with Wood Seats, circa 1930s

The distinctive, feathery grain of jichimu, or "chicken-wing wood," sets this woven top oval stool apart. Clearly influenced by Western design, this petite C...

Lightweight and portable, stools were popular in Qing dynasty homes for their simplicity and convenience. This elegantly proportioned stool features an inset handwoven seat, providin...

Deceptively simple, these early 20th century stools from Hebei province show off the ingenious joinery methods traditionally used by Chinese carpenters. The stool's three splayed leg...

These 19th-century square stools from Shanxi province are elegantly crafted in the classical Chinese style with simple lines and balanced proportions. This form of square stool, or f...

This provincial stool is artisan-crafted in the style of traditional Chinese courtyard stools typically used throughout a Qing dynasty home as versatile everyday seating. Made of rec...

The stool is a central fixture of Chinese furniture culture. Found in a variety of materials and forms, the stool transcends class lines, as much at home in the provincial courtyard ...

A wonderfully sculptural stool with a curved seat. The stool's neutral pigment and subtle wood texture makes it perfect for any space. A uniquely sculptural and versatile piece. This...

A wonderfully sculptural stool with a curved seat. The stool's neutral pigment and subtle wood texture makes it perfect for any space. A uniquely sculptural and versatile piece. This...

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...

Pair of patinated wood stools, attributed to Maison Jansen, France, circa 1950.

Pair of wood and rattan stools by Comte, Argentina, Buenos Aires, circa 1940.

An authentic pair of Thonet stools from the 1930s, marked on the underside with Thonet Logo and certificate. Red painted wooden base with chrome foot support and black faux leather ...