Sculptural Stool Solid Mango Wood, Hand-Hewn Detailing, Modern Organic

An elegantly rounded, sculptural stool crafted from mango wood. Unique to this stool is the hand-hewn detailing on all sides providing a wonderful contrast of textures.

An elegantly rounded, sculptural stool crafted from mango wood. Unique to this stool is the hand-hewn detailing on all sides providing a wonderful contrast of textures. To achieve it...

This wonderfully sculptural stool was crafted using mango wood. Its neutral pigment makes it perfect for any space. A uniquely sculptural and versatile piece. Unique to this chair is...

This wonderfully sculptural stool was crafted using mango wood. The chair sits on 4 slender legs. Its neutral pigment makes it perfect for any space. A uniq...

This wonderfully sculptural stool was crafted using mango wood. The chair sits on 4 slender legs. Its neutral pigment makes it perfect for any space. A uniquely sculptural and versat...

A wonderfully sculptural mango wood stool with angular legs and a curved seat. Its neutral color and minimalist shape make it suitable for any space.

The Gallery stool. A sculptural modern organic side table/stool turned from a solid block of macrocarpa (Monterey Cypress). The wood is finished with a hand rubbed, low V.O.C., natural plant oils to bring the stunning grain to life. The macrocarpa wood will continue to dry out as it finds its equilibrium moisture content of its new environment. Further movement and splits should be expected, and this is part of the wabi-sabi design of the Gallery side tables. Measures: Diameter 12.5” x H1 7.75 ” Diameter 320mm x H 450mm Handmade in Christchurch, New Zealand.     Wood Macrocarpa (Monterey Cypress) Finish: Natural Low VOC Oil Customization of wood finish & sizing available by request. (subject to up-charge). About Tréology Sustainability We rescue trees from rivers in the wilderness of New Zealand and craft them into beautiful objects that merge the line between luxury furniture & functional art. We love connecting people to nature through our sustainable wood. Heritage Our company is built on our 150-year family heritage of luxury craftsmanship. We love collaborating with like-minded people who share our values of guardianship, sustainability and craftsmanship. Craftsmanship Craftsmanship is a quality that defines a Tréology piece. Our artisan furniture-makers apply skills that have accumulated over a career of crafting natural materials with passion and attention to detail. Our client portfolio includes work for luxury resorts, wineries...

The name "EVOLUTION" suggests an elemental concept: a simple beginning for more complex ideas that evolve from it. The two legs of this piece are identical, held together with a simp...

A wooden stool or side chair designed and produced in France, 1950s.

A stool with multiple uses, made by welding small sheets of metal. This is how the projects of the Foliae collection are born, sculptural objects, between art and design, which come ...

This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Organic style solid wood bar stool leaf shaped.