Set of Wood and Metal Painter Stools in the Style of Jean Prouvé, France 1950's

Italy, 1950s. A graceful pair of adjustable reclining armchairs in mahogany-stained fruitwood with brass detailing, upholstered in a light chartreuse. The sculpted arms, resting el...

Charles (1907- 1978) and Ray Eames (1912-1988) An early set of four imaginative DKR-1 chairs by Charles and Ray Eames for Herman Miller. In white powder coated and chromed steel, wi...

Sergio Rodrigues (1927–2014) A striking set of six modernist dining chairs by Carioca design pioneer Sérgio Rodrigues, in hardwood upholstered in unshaved caramel-colored cowhide. T...

André Sornay (1902-2000) A beautiful set of six minimalist, pure-lined dining chairs by André Sornay, with subtly curved and tapered backs and elegant sabre legs. In French walnut u...

Antonio Citterio (b. 1950) A striking set of three unusual minimalist steel and black leather armchairs by Antonio Citterio for B & B Italia, reminiscent of Luigi Caccia Dominioni's...

France, 1950's. A sculptural pair of three-legged side tables in the Africanist style, with round glass tops and interlacing, joint-less bases impressively carved from a single pie...

A Jean Prouvé painted four-legged wooden stool with wrought iron adjustable corkscrew mechanism in the center. Industrial in form and practicality, while remaining chic in design, ...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...

Stool design attributed to Jean Prouvé, circa 1950. Manufactured in (France) Lacquered metal base and laminated wood seat. In good original condition, with minor wear consistent...

Atelier Jean Prouvé designed for the Lycée Fabert, Metz. France, 1930s. Lacquered metal base and turned plywood seat. All have markings on the underside. These wonderful stools also ...

A telescopic workshop chair, Modernist, Bauhaus, Constructivist, Reconstruction, metal structure with telescopic system, seat and reclining back in solid wood, to be attributed, Fran...

Set of six molded birch plywood dining chairs in the style of Jean Prouvé, France, circa 1950s.