1940 Green Ton Sur Ton Velvet Wingback Club Chair By Ilmari Lappalainen For Asko

Highly decorative and large black leather 'Thomas Chappendale style' wingback chair from the end of the 19th century. During his live pieces of leather has been replaced what gives t...

Beautiful ( Scandinavian ) Napoleon lll chair. This chair is totally reupholstered with the brique ton sur ton jacquard velvet in the 70s. Webbing and spri...

Beautiful ( Scandinavian ) Napoleon lll chairs. The chairs are both reupholstered with the brique ton sur ton jacquard velvet in the 1970s. Webbing and spr...

Very comfortable lounge chair designed by Carl Malmsten in the 1940s reupholstered with golden velvet fabric somewhere in the 1960s. The oak legs are dark stained also in a later per...

Beautiful set of two Scandinavian modern bentwood ' model Convair' swivel lounge chairs by Oddmund Vad for VAD Trevarefabrik in Norway. Featuring a floating circular bentwood frames ...

Beautiful set of three Scandinavian modern bentwood ' model Convair' swivel lounge chairs by Oddmund Vad for VAD Trevarefabrik in Norway. Featuring a floating circular bentwood frame...

Ilmari Lappalainen, Asko, Finnish Mid-Century Modern, Lounge Chair, Shearling, Lacquered Wood A 'Laila' armchair designed by Ilmari Lappalainen for Asko in Finland circa 1950s. The ...

The “Laila” models from the series by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. Designed in the halcyon phase of what we know today as mid-century modern, this charming sofa is a unique evidence of how traditional Finnish craftsmanship was brought into modernism. This sofa is from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic mid-century modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. As an essentially Finnish modern piece, this sofa is built around the core characteristics of the era: gently rounded edges, tapered wooden legs, and a generous, fully upholstered body. The style was modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with three large tufted buttons. In the absence of ornamentation, the three large tufted buttons on the back stand out, creating depth as they sink into the textured green fabric. The design has the “classic Nordic look”, which explains the contemporary popularity of this sofa both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. This sofa was created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s Laila...

Origin: Finland Designer: Ilmari Lappalainen Manufacturer: Asko Era: 1960s Materials: Vinyl, Teak Measurements: 24 wide x 19? deep x 29 tall, seat 17 tall.   

The “Laila” model by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. This pair of “nr. 238” armchairs are from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic mid-century modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. These armchairs have a cosy modern style, modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with tufted buttons. The bodies have the classic Nordic look, which explains the contemporary popularity of these armchairs both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially its back. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. These chairs were created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. After the war, the damage it caused and the new homes of Karelian migrants concentrated production on essential furniture, which the Finnish Ministry of Public Affairs ordered to sell at an affordable price. Favourites of this time included Ilmari Lappalainen’s Laila...

- Very confortable - Two chairs and one footstool - Marked by label - Rare in set.

Like the “Laila” model, this chair was designed by Finnish designer, Ilmari Lappalainen for Asko in 1948, and become a beloved model. So much so, tha...