1970s Emmanuelle Peacock Chair

Iconic pair of Mid-Century Modern Barcelona chairs made in the manner and style of Ludwig Mies Van der Rohe for Knoll. The chairs feature tufted leather seat cushions with a desirabl...

Stylish pair of Bohemian rattan and wicker lounge chairs or armchairs having large peacock or fan backs. The chairs feature gracefully curved rattan frames embellished with decorativ...

Spectacular pair of large wicker lounge chairs with two ottomans featuring dramatic printed fabric cushions of exotic bird feathers over a black ground. The lounge chairs are constructed from a metal frame having a flared cube form covered with woven wicker. The generous seats have tulip formed sides with a unique profile. The chairs and ottoman are covered with thick loose seat cushions and pillows...

Opulent set of four Italian Chiavari ballroom chairs or dining chairs featuring brass frames. The elegant chairs have decorative shaped crests with spindle back splats. The seat pads...

Brilliant Hollywood Regency set of six Chinese Ming style officials hat chairs. The chairs feature a modern redux crafted in stainless steel with a dramat...

Rare set of six chrome dining chairs designed by Pierre Cardin. Featuring a Milo Baughman inspired flat bar style frame. Exceptional design having a seat that wraps around the tall backrest that becomes the legs. Sculptural style that has a gracefully curved profile from the sides. Beautifully finished with a high polish chrome nickel shine. Silk upholstery shows wear and needs updating. Originally paired with a chrome Pierre Cardin cage...

Classic 1960/1970's wicker, rattan Emmanuelle, or Peacock chair, in very good, original, clean and ready to use condition, showing only light wear, normal and consistent with age.

Finely woven wicker rattan large fan back peacock chair "Emmanuelle Peacock Chair" in beautifully aged original rich surface color patina. Cir...

Vintage wicker peacock chair features a fine cross-weave pattern and intricate black rattan detailing. Twisted design base and large fan back. Good condition with minor imperfections...

Sculptural and gorgeous Emmanuelle style rattan and wicker French 1970s design chair with a beige linen fabric round cushion seat 21.65 inches diameter and 26.77inches armrest height. A great vintage style centerpiece!.

A mid-century modern PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Gap between arm and chair back measuring approximately 1/4 inch. Some light water staining on both arms. Wood split to one seat joint measuring 3/8 and 5/8 inches on either side. Four deeper scratches on back. Area of staining on bottom chair rung measuring 2 3/4 inches long. Chair back’s fifth spindle from right with wood chip measuring 1 inch long. Chair back’s sixth spindle from left loose. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen...

A PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Wood splits to three of the seat joints measuring 1 inch, 1/2 and 1/4 inch on either side, and 1/4 inch. Area of discoloration to arm, possibly from sticker, measuring approximately 3/4 inch. Some nicks to side of one arm. On the other arm, a scratch measuring 1 1/8 inches on the side. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen, Danish Furniture Design: in the 20th Century, vol. 2 (Copenhagen: Christian Ejlers, 2007), p. 90. Christian Holmsted Olesen, Wegner: Just One Good Chair (Germany, Hatje Cantz Verlag GmbH & Company KG, 2014). Johan Møller Nielson, Wegner en Dansk Møbelkunstner (Copenhagen: Gyldendal, 1965), pp. 42, 98, 103, 106. Noritsugu Oda, Danish Chairs (San Francisco: Chronicle Books), 1996, pp. 106, 107. Svend Erik Møller and Viggo Sten Møller...