Metal Apothecary Cabinets

An early 20th century industrial pigeon hole storage unit, good size with 48 pigeon holes. The piece is made using steel rods and bolts and is ...

Be it in the gentleman’s corner of your apartment or centre stage in your living room, this contemporary Dry Bar in its simplicity, serves as a humble vessel for your most precious l...

Vintage Industrial metal steel rustic "Lyon" open file sorting storage unit. Army green with eight shelves, eleven compartments wide. Each compartment is 3" wide by 3 1/2" high. Th...

Make a statement in your home or office with this stunning industrial filing cabinet. With an imposing twenty square feet of real steel and aged brass and featuring two dozen pull-ou...

Be it in the gentleman’s corner of your apartment or center stage in your living room, this contemporary Dry Bar in its simplicity, serves as a humble vessel for your most precious l...

Antique Shanxi Province Hand Painted Black Lacquer Tall Apothecary / Medicine Cabinet This apothecary has 48 square drawer and 4 rectangle drawers at...

Authentic made in American vintage industrial steel parts sorting cabinet by "Lyon". Army green with eight shelves, eleven compartments wide. Each comp...

This elegant and wood, metal, and copper cabinet adorned with blackened copper low-relief motifs is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking hand-carved relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. The interior behind the unique doors of each of the 9 compartments is finished in a cheerful salmon color, in contrast to the dark exterior. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Slender Art Deco Vitrine made in the 1920s, Argentina. Rectangular frame sitting atop tapered legs. Original glass frame and door. Mirrored back. Four glass shelves. Original hardwar...

Austrian silver-gilt, wood & enamel clock cabinet table Classical figures painted on a gilt diaper bottom. An enamel clock face, matching the corners. Columns made of Corinthian w...