Fine Early Victorian Mahogany Open Bookcase

A rare Victorian leather upholstered mahogany child’s chair. English Circa 1880. This rare child’s chair has a shaped pierced carved back with ...

A fine quality William IV flame mahogany inverted breakfront sideboard of good color. English, circa 1835 The raised carved back having a central anthemion cartouche, ...

A well proportioned and substantial late 19th century carved mahogany wing-back armchair in the George II manner upholstered in a tan leather. English circa 1880. A fine quality and well drawn carved mahogany wing chair inspired by William Kent of the early 18th Century. Upholstered in a hand dyed natural leather with a feather cushioned seat, having grand proportions making this a very comfortable reading chair. The shaped sides with scrolled arms being finished with brass stud work, upon a finely carved mahogany base having a central satyr mask surrounded by foliage and ribbons raised on hipped cabriole legs with shell to the knee terminating on ball and claw feet. This impressive antique leather chair...

A good quality Victorian bleached oak dresser standing on carved cabriole legs. This well proportioned dresser having a moulded cornice over a shelved upper section with grooved plate troughs and two lockable cupboard doors with brass escutcheon plate drop handles. The upper section sitting over a deeper base with two moulded oak lined drawers with hand-cut dovetails to the right-hand side and with the left-hand having a fielded and paneled door. The whole being raised on carved cabriole legs with acanthus leaf to the knee terminating on ball and claw feet. In excellent condition with no loose joints this Victorian oak dresser...

A Fine Pair of Early 19th Century French Grand Tour Bronze and Siena Marble Tazzas of Interesting Design French Circa 1830 These beautiful tazzas stand on round bronze bases, cast...

Extremely fine marble group of Bacchus and Ariadne after the antique attributed to Carlo Albacini (1734 – 1813) Italy Rome circa 1800 Provenance A French Private Collection Carved in the round of white marble, the young couple shown walking and apparently exchanging words, his left arm gently wrapped around her shoulder, upholding part of her drapery, a wreath of fruit-bearing vines placed on his head, while hers shows no berries, from her right shoulder suspended a suggestive skin of a goat. In excellent condition having a restoration on Ariadne's left index finger. This finely carved sculptural group is one of a number of known examples of this subject, all inspired by a Greco-Roman classical original 1st and 2nd centuries A.D which is now in the Museum of Fine Arts in Boston (inv.68.770). Demonstrating the beginning of Bacchus' courtship of Ariadne and illustrates the “Return to Antiquity” which was expressed in numerous archaeological works in Rome at the end of the 18th Century. The subject matter made it perfect for a wide variety of settings and fine copies of the subject which survive in such collections as the Rothschilds at Waddesdon Manor, the Pitti Palace in Florence, the Musée des Beaux-Arts de Nantes, the Musées royaux des Beaux-Arts de Belgique and the National Trust property Erddig in Wales. This marble is exemplary of neoclassical aesthetics, by its ancient origin and by the creativity of the sculptor who perfectly links these two figures in the manner of Antonio Canova's standing groups (see Daedalus and Icarus or Venus and Adonis). This marble represents a moment of tender complicity illustrating the ability of neoclassical sculptors to detach themselves from ancient rigour in order to introduce an ideal of softness into their works. These two figures are not simply next to each other, but marry through the fusion of their drapes, through the play of glances and through the embracing gesture of Bacchus. Of the surviving 18th and early 19th century examples of this group, the finest are signed by or attributed to the Italian master Carlo Albacini (1734-1813). Albacini was a restorer of ancient marbles who worked extensively on such aristocratic assemblages as the Charles Townley collection, later to form the basis of the fine sculpture collections at the British Museum, whilst also creating copies of these antique pieces for his elite clientele. Aside from Townley, one of the most interesting and important English collectors of this period was the Earl of Bristol who had a fine house in Naples, a London townhouse and his Suffolk family seat Ickworth which he intended to fill with exceptional examples of art of all kinds. Bristol was a great patron of Italian artists and a chimneypiece from his collection that was supplied for his Italian home and later fitted at Ickworth was sold at Sotheby's on the 26th of November 2003 lot 87. This exceptionally carved chimneypiece...

For sale is a good quality early Victorian mahogany bookcase. Breakfront in form, the bookcase has three separate sections, each with two adjustable shelves flanked by carved corbels...

Sn5464 Fine quality Victorian figured mahogany open bookcase, having well figured oversailing top with moulded edge above a shallow frieze and three height adjustable shelves all fla...

0596 Victorian open bookcase in mahogany, having figured top above shallow frieze and three height adjustable shelves, all flanked by reeded pilasters and drop carvings, standing on ...

Sn3533 fine and elegant Victorian bookcase in mahogany with moulded cornice above a pair of glazed doors enclosing 3 height adjustable shelves, projecting base with two cushion shape...

Sn5284 Victorian open bookcase in mahogany, having figured top above a decorative frieze and three height adjustable shelves, all flanked by drop carvings to the top and base, standi...

Sn5517 Victorian, mahogany open bookcase of round shoulder design, having figured mahogany top with moulded edge above three height adjustable shelves, all standing on shaped plinth ...