Buffet Brier-Root Veneer Retro Treated Glass Vintage Italy, 1950s

Bookcase unit with sliding glass doors and storage compartment with sliding doors in oak veneered wood.

Bookcase with writing desk flap and storage compartment with sliding doors in oak veneered wood.

Buffet cabinet with mirror, with hinged doors, veneered wood, lacquered carved wood, marble base with brass profile, back-treated glass top, decorative paint on the doors.

Cabinet with bar space in the middle with a flap door, double swing doors on the sides, stained mahogany veneer, important decorative drawing carved in brass.

Cabinet with hinged doors and under-top drawer. Walnut veneer wood, brass handles.

Cabinet with desk flap, hinged doors and visible drawers; maple veneered wood, brass tips and details.

Incredible unicorn! Rare 1950s Italian sideboard with reverse painted marbleized glass top case with geometric faceted door panels and drawer fronts floating suspended by four exoskeletal wood legs with solid brass standoffs, acorn nuts and tapered sabots. Exterior and interior clad in cream colored formica style laminate and embellished with basket-weave printed laminate. 70 inch long x 18 inch deep x 33 inch tall. The only piece similar to this I've seen is a credenza by Roberto Aloi...

Sideboard two doors in engraved mirrors, from the 50s, French, flower decorations, there is a lack of glass plate on the front of the cabinet and on a foot, some chips. Furniture to ...

Presenting a captivating Art Deco buffet from 1950s France, carefully crafted to embody both elegance and functionality. This exceptional piece features two spacious storage compartm...

Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four doors and architectural details throughout. Amazing oak grain visible throughout the piece. Smoked glass mirrors cover the front doors. The piece is in original vintage condition. Measures: 19 inches deep 93 inches wide 33 inches high Hays Company/Pier Luigi Colli The firm was founded in Turin in 1850, as a laboratory that embroidered for the upholstery of armchairs and sofas. The manufactory collaborated with the Martinotti and C.ia furniture manufacturer, Giuseppe and then Luigi Martinotti, who since 1831 produced luxury furniture in style and from the end of the century in the most up-to-date liberty style. At the death of Federico Martinotti, the last male descendant of the family, in the twenties, the widow gave way to Teresa and Maria Colli and the two companies reunited, assuming the name "Colli da 1831" (with the date they referred To the foundation of the firm Martinotti). Then came Pier Luigi Colli (1895-1968), younger brother of the two holders who had attended the courses of the École des arts décoratifs. Pier Luigi Colli, thanks to his close relationship with Paris, imported Lalique glasses and Jean Perzel decor lamps in Turin. The company took care of the real train setup, built by Fiat Ferroviaria and the technical office, led by Pier Luigi Colli, designed and produced the chairs of the Magna University of Turin and the furniture of the Turin seat of the Bank Italy and the Prefecture. In addition to the furniture, the company produced embroidery for coverings and curtains, carpets, lamps with Seguso glasses, door locks and door handles. The company also carried out works designed by external architects: Gio Ponti (partition walls and windows in the Turin headquarters of Vembi), Giovanni Gariboldi (furnishings for the Richard Ginori showroom in Rome), Carlo Mollino (railing of the RAI auditorium and window frames Of the Royal Theater), Domenico Morelli (furniture of the Rai skyscraper); Gabetti and Isola (neoliberty furniture on the stock exchange) Aldo Morbelli (furniture of Fasano jewelery in Via Roma...

A fine French Mid-Century cerused oak sideboard with black diamond pattern inlays on the 2 doors.

Buffet from the mid-century in Italy. This piece has two outer doors with a lovely burled veneer; while the central panel showcases a replication of an etching from Cervantes’ Don Qu...