Pine Cabinets

Found in England, this pair of circa 1940s pine demi lune cabinets have cream colored marble tops. These cabinets are a true pair with false drawer fronts that are hinged cabinet doo...

Stripped pine chiffonier, English. Regency period, c.1815. Raised on bracket feet. Three shelves above paneled door cabinet and a base drawer. Once painted. Lion mask pulls replaced....

Exceptional vintage Regency pine credenza. Made by the iconic Century Furniture group. Beautiful column detail and stunning wood grain detail. A beautiful warm patina from age. Lots ...

English mahogany Regency period cabinet, circa 1820 Tall gallery top on three sides with drawers above and below a centre cabinet. Decorative line inlays on the drawers and cabinet...

Very fine early 19th century burr oak cabinet, the pediment with three bronze stars over two glazed doors, the lower cabinet with single fitted drawer over two cupboard doors conceal...

Of precise and exquisite craftsmanship, this inordinately fine chiffonier is finished in gorgeous mellowed rosewood veneers. Intricate displays of brass work and scrolling satinwood stringer inlays flow across the top of the case, the border a complex display of a repeating brass S set in an ebonized ground. The top of the case is finished in a removable shelving unit flanked by brass columns and wire latticework; the ring turned brass columns, inlays and distinctive hardware is closely related to much of the work by the shop of John Mclean in London. A pierced brass Greek-key gallery frames the top of the shelf. Both drawers retain their original gilt bronze lion mask pulls, opening to reveal cedar lined drawers with crisply hand cut dovetails; quarter moldings secure the corners of the inside of each drawer, both retaining their original locks (one key). Diamond stringer inlays flanked by fleur-de-lis around the lion mask pulls are framed by a stringer inlaid border with stepped corners. The precision of tiny stringer inlays along the columns, surrounding the doors, edging the bottom of the frame and surrounding exposed surfaces of the shelving reveals a practiced and capable designer at work. The pair of cabinet doors are gorgeous displays of angular wire latticework backed by a neutral linen over a hand chamfered cedar panel, the two doors joining together with a molded brass applique sealing the gap between them. These open to reveal a tidy interior with stepped notching in the corners - this would allow a shelf to be easily adjusted inside of the case, though the shelf has since gone absent. The case rests over tapered legs terminating in lion’s paw feet of the finest casting quality - every hair, toenail, detail is perfectly captured in the feet. Every aspect of the structure remains entirely original. John Mclean’s shop in London operated continuously from before 1770 through 1825. His work was heavily inspired by the French, his shop advertised as excelling in “Elegant Parisian Furniture” and produced works of the highest quality that utilized gilded bronze and brass in a most tasteful manner. Among his most prolific creations are the beautiful writing desks and cabinets...

A pair of William IV cabinets in veneered mahogany with bow front doors.