Ornate Oscar Bach Bronze Decorated Single Door Cabinet with Marble Top

Charming country style pine cabinet having grey weathered painted body, un painted glass paneled doors, pretty zinc hardware and two shelves inside.  

The iconic Espana design cabinet in a striking Hermes orange with gold decoration and black slate top. Stamped Dorothy Draper for Henredon. In great condition and timeless.

A handsome 19th century oak cabinet stand or side table having lively black and white marble top and one-drawer with storage inside.

Really beautiful and classic French painting on this one-of-a-kind 19th century French marble countertop sink cabinet with classic French yellow origi...

A lovely vintage side or end table with an interesting skewed rectangular shape and ornately carved mahogany base with putti. Top is original white marble.

Rich with character, a country style stained wood cabinet having top with two glass doors that open to an interior with 2 shelves that are 11.5 w. Bottom has wooden framed single d...

Spectacular two door cabinet in bronze and iron with nude nymphs cast in bronze on all sides and the gallery. Truly a beautiful piece of art. Topped with a slab of Onyx this piece is set apart. Opening in back for wiring or we can seal it up. Many places to be considered for use. Console table entryway bath bar...

A unique bronze, iron and marble telephone stand (better use today is a bar cabinet) Attributed to New York Designer and Manufacturer, Oscar Bach. Stand has an marble top with a heavy veining and a bright finish. The door in the front has ornate bronze figural work with green enameled steel-panel backdrop, framed by green enameled wrought-iron frame. Similar treatment to either side. The back has a slot with slip in a door to allow for the telephone cord...

Featuring a splendid polished finish with silver leaf detail, this remarkable Cabinet is a furnishing piece of refined quality. This spectacular Cabinet features 1 door and 1 drawer ...

This spectacular Cabinet features 2 doors and 1 drawer with push pull blumotion, tempered glasses and led lights. Crafted in santos rosewood, the attractive design of the entire new ...

A very decorative Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815 Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...

A late 19th century floral marquetry two-door cabinet with Carrera marble top and gilt bronze mounts, French, circa 1880.