20th Century Cabinets

An exhibition quality mid 19th century burr walnut Credenza, or side cabinet, of good bold proportion Having superbly figured top over two panelled Central doors, flanked by bowed...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Elegant and sophisticated drop front desk designed by Gilbert Rohde for Herman Miller as part of the much sought after Palladio series, circa 1940’s. The desk features a burl veneer ...

Early George Nelson designed, thin-edge server in walnut with black and silver hourglass hardware and turned aluminum hourglass legs. Retains the early George Nelson Medallion Lab...

A very cool versatile piece from Denmark circa 1980s. It features all teak construction with tons of storage space to display books or nick nacks.

Pair of colonnade front cabinets by Mastercraft. Burled walnut colonnade detailed doors open to reveal a large open cabinet space. Brass pulls are key style with long brass escutcheo...

Two-door Mid-Century Modern cabinet by Jens Risom. Classic style of Risom where case appears to be floating on base. Nickeled hardware, finished back, Divided in centre with two adju...

Beautifully refinished mahogany vanity/coiffeuse by Gilbert Rohde for Herman Miller with original off-white "leather cloth" (Fabrikoid) top and padded drawers. Kneehole: 26" high x 22" wide x 17.5" deep See our separate listings for other pieces from this same collection. See pages from original 1941 Herman Miller catalog.

A very unusual, hand painted bar cabinet, as a Danish Viking, made in Italy. Striking naive/modern style, humorous and direct. The back is finished and ...

First year production George Nelson Steel Frame Case series cabinet. Sky blue sides and facade available with either the white steel frame/black linoleum top configuration or the b...

Walnut burl wood cabinet with black colored glass top with six drawers, two front doors with locks and two curved doors worked in pure Deco style at the end of the 40s.

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...