Early 20th Century Cabinets

​Rockford Burled Walnut Satinwood Inlaid Louis XV Style Liquor China Cabinet Dimensions : 70" Tall X 45" Wide X 21" Deep This gorgeous china cabinet was made in Rockford Illinois i...

BEAUTIFULLY Carved Antique French Oak Louis XV Style Cabinet Cupboard with Drawer~~c. 1920s Perfect statement piece that can accommodate any number of storage needs in today...

Display cabinet, France, circa 1910. Very good condition. wood: walnut dimensions: height 189 cm width 72 cm depth 40 cm

An exceptional French Provincial Louis XV style buffet server or bar cabinet By Romweber USA, Circa 1920s Gorgeous exotic burled acacia wood, with original brass hardware. Measur...

Circa early 1910-20's Mahogany with Decorative pierced gallery, drapery fringed surround along with Vine and Various Flowering Designs. Original Damask Silk Tapestry Backing with som...

Stunning pair of early 20th century, handcrafted, wooden bedside cabinets. If you have an eye for detail, good shapes and top of the line furniture than you know how hard it is to f...

An exceptional French Provincial Louis XV style breakfront bookcase cabinet or dining cabinet By Romweber USA, Circa 1920s Gorgeous exotic burled acacia wood, with mullioned glass...

An exceptional French Provincial Louis XV style buffet server or bar cabinet By Romweber USA, Circa 1920s Gorgeous book-matched olive ash burl wood, with original brass hardware. ...

Pair of Maison Jansen Louis XV Style green and gilt Japanned Encoignures Finely Japanned raised figure corner cabinets certain to have been made for someone of note. The superb Fren...

This is a beautifully designed cabinet in the Louis XV cabinet in solid and inlaid walnut. The cabinet has its orginal finish and will show craquelure in the finish of the doors and ...

Louis XV Style Ormolu And Marquetry Kingwood and Satinwood Side Cabinet with gallery. Measures 24" in width, 12" in depth and stands 26.25" tall. Shelf is fixed with a clearance of 7.5"

A Country French Louis XV style confiturier or single door cabinet from Normandy. Made of solid oak with hand-carved floral details on the corners and apron and musical instruments o...

An incredible ensemble acting as its own complete sitting room. A large scale carved walnut cabinet in the Louis XV style with double beveled mirrored doors for the deep side compart...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

Pair of French side cabinets Louis XV style nightstands Bedside tables Yellow and purple marble tops Three drawers with inlaid rose decorations Good antique condition. Shippin...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delivery needs! They offer a reasonable flat-rate fee for delivery and set up to the ground floor of your home. They deliver to the vast majority of the lower 48 states. They offer a flat rate for most of our items with exclusions for the largest or most complex items such as breakfronts or crystal chandeliers or other items of greater complexity. For those items please ask for a shipping quote prior to purchase as these rates are different from our stated pricing. For those items please ask for a shipping quote prior to purchase. Most deliveries to the East Coast will be 295.00, to the mid-west and Southern mid-west 395.00. To the areas west of Kansas 495.00 and the farthest points to the West coast will be 595.00. Again, some areas we can't cover, however we can deliver to most of the lower 48 states so please inquire to be sure! Delivery times range from as fast as 1-4 weeks for the east coast to 5-9 weeks to the farthest areas of the west coast, sometimes longer and sometimes even shorter. If it is a time sensitive purchase, we may be able to accommodate you for a higher price. It is our goal to please each and every one of our customers with the highest standard of service possible. You must realize and accept that we are shipping antique, vintage and quality used furnishings to your home. We cannot control traffic, weather, and acts of God. There will be times when additional patience will be necessary. This is a fantastic formal china cabinet or vitrine by Francois Linke. The kingwood case and gorgeous bowed glass the has are adorned by beautiful bronze ormolu and fine proportions.The cabinet has signed ormolu...

Antique French Louis XV style small bowed glass painted curio display cabinet. Item features (3) bowed glass panels, hand painted scene to front and sid...

This is a beautiful Vernis Martin cabinet with gorgeous dark olive rgeen background painting and beautiful courtship scenes as well. The cabinet ...

Antique French Louis XV Style Carved walnut 2 door armoire with Original Curve-Line Beveled Mirrors. Beautiful Fitted Interior.

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, probably by François Linke (1855-1946). The white m...

Antique French Louis XV style bronze mount hand painted curio display cabinet. Item features a hand painted door front, finely cast bronze ormolu, fabri...

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

Antique Louis XV style Vernis Martin China display cabinet/Vitrine, circa 1900. The cabinet having a pierced brass gallery to the top and a brass frieze below with hanging floral gar...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, possibly by François Linke (1855-1946). The upp...

Elegant Italian Louis XV Style cabinet with desk 1910s. This cabinet is characterized by a refined veneer in fine rosewood. The veneer is laid using the grain of the wood as a decora...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

Antique French Louis XV small Petite Curio étagère stand with satinwood inlay and one-drawer. Item features a mirror back, bronze ormolu, satinwood inlay, nice petite size, small imp...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui attributed to either Joseph-Emmanuel Zwiener or Zwien...

An exceptional and very rare Louis XV style gilt-bronze and Vernis Martin Mounted Parquetry side cabinet by Maison Krieger. Stamped to the carcass ‘K...

Pair of singed Linke bronze mounted and parquetry commodes in the Louis XV style. Parisian made cabinets are signed "F. Linke" on the bronze mounts. S...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

An exquisitely carved and painted French curio cabinet in the Louis XV / Italian Rococo Taste. The cabinet has an impressive stature, with its lon...

A Louis XV style gilt bronze mounted mahogany Coiffeuse attributed to François Linke. French, circa 1910. François Linke (1855 - 1946) was the most important Parisian cabinet...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Louis XV 1920s little side cabinet or nightstand blond walnut and walnut inlay maple, restored and polished to wax Measure cm: H 60 x W 40 x D 26.

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A fine French 19th-20th century Louis XV Style gilt bronze-mounted, Mahogany and Tulipwood Marquetry Side Cabinet/Secretaire in the style of François Linke (1855-1946). The slender s...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

This finely made pair of Encoignures or Corner cabinets are fully labeled with the maker's mark of Bedel & Cie, La Garde Meuble Public, 18 Rue St Au...

Attractive French bedside cabinet in mahogany, having original marble top above fielded drawer and panelled cupboard door all fitted with original brass handles and flanked by reeded...

French Louis XV style chinoiserie commode or chest, early 1900s, the shaped marble atop a conforming cabinet with a single do...