Pierre Lottier, Furniture with Two Bodies Painted Decoration, circa 1960, Spain

Pierre Lottier, important gueridon in the style of Rococo, Sculpted and gilt wood, natural wood tabletop, Sculpted feet and struts decorated with foliage and "rocailles" Spain, circ...

Sideboard with two drawers, wood structure, with decor painted in the Venetian style circa 1960, Italy. Measures: Height 83 cm, width 150 cm, depth 58 cm.

Egg shell lacquer column, black lacquer lacquer interior, Decoration of grooves and garlands of leaves according to a surface door, drawer in the bottom of the bottom, Circa 2000, Fr...

Albert Chubac (1925-20008), Composition, Spray paint and stencils, Workshop stamp lower right, Framed, circa 1960, France. Measures : Width 50 cm, Height 65 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac: exhibition, Nice, Museum of Modern and Contemporary Art, January 29 - May 16, 2004. - Albert Chubac, Galerie Harter, 2013. - Albert Chubac, a lifetime of artist, Patrick Boussu and Cynthia Lemesle, South Art éditions, 2021. During the workshop auctions in Nice and Marseille, the Harter Gallery acquired the largest part of his work. Personal exhibitions: - 1950: Personal exhibition in Athens at the Zappéion museum. - 1954: Exhibition at the Arman Gallery in Geneva. - 1956: Exhibition at the Galerie Connaître in Geneva. - 1957: Exhibition at the Galerie La Palette in Zurich. - 1958: Exhibition at the Galerie L’Entracte in Lausanne. - 1960: Exhibition at the World House Gallery in New York. - 1967: Exhibition at the Galerie Loo in Geneva, at the Salon Comparaison in Paris, Aspects in Chexbres in Switzerland. - 1968: “Paintings” exhibitions from March 30 to May 11 at the Galerie Alexandre de la Salle. - 1970: Exhibition at the Maison des Jeunes et de la Culture de Magnan in Nice, at the Maison de la Culture Le Corbusier in Firminy entitled "Chubac recent works" and at the Galerie Royal Luxembourg in Nice. - 1971: Exhibition at the Galerie Germain in Paris and at the Fernand Léger School in Malakoff. - 1972: Exhibition on the village square of Aspremont, at the Galerie Royal Luxembourg in Nice. - 1973: Exhibition at the Galerie Ferrero in Nice. - 1974: Exhibition at Art-club in Antibes. - 1975: Exhibition at the Galerie Jacques Boudin rue de Dijon in Nice. - 1978: Exhibition at the Galerie Anne Roger in Nice. - 1980: Exhibition at the Galerie de la Salle in Saint-Paul de Vence from August 8 to September 9. - 1981: Exhibition at Lieu 5 in Nice from February 13 to March 20. - 1983: Exhibition at the Galerie d'Art Contemporain in Nice, at Anne Roger. - 1984: Exhibition "Lille Nice" at the Galerie GodArt in Lille from April 14 to May 17 and at the Galerie Luisella d´Alessandro in Turin. - 1985: Exhibition in Thonon les Bains at the Galerie Galise. - 1988: Exhibitions at Galerie Argéco in Nice and Galerie Triade in Barbizon - 1989: Exhibitions at the Galerie de la Salle, at Lola Gassin's in Nice, in galleries in Nice - 1990: he made four mobiles for the MAMAC in Nice, Exhibitions at the Galerie François Moulin in Lyon and Golden Gallery, ArtJunction in Nice. - 1991: Exhibition at the Galerie de la Salle in Saint-Paul. - 1992: Exhibitions at the Espace du consulat suisse in Nice, Besançon and opening of the Espace Chubac in Tourrette-Levens. - 1993: Exhibition at the Maison Comoni in Revest-les-Eaux, at the Galerie François Moulin in Lyon. - 1994: Exhibition at the Espace Caravadossi in Aspremont. - 1996: Exhibition at the Espace Dellile in Nice. - 1997: Exhibition at the Galerie de la Salle in Saint-Paul. - 1998: Last personal exhibition at the Galerie de la Salle in Saint-Paul. - 2000: Exhibition at Lympia college in Nice. - 2001: Exhibition at the Espace Chubac in Tourette-Levens. - 2002: Exhibition at the Galerie Scholtès in Nice and in Carcès in the Var entitled "Albert Chubac-Couleurs mobiles". - 2004: Great Albert Chubac retrospective at MAMAC in Nice. - 2011: Permanent exhibition at the Galerie Harter in Nice. - 2012: Exhibition at the Olympia Show in London at the Christopher Jones Gallery and at the Serge Castella Interiors Gallery in Bascara, Spain. - 2013: Exhibition at the Municipal Contemporary Art Gallery of Pochettes in Nice. - 2019/2021: Exhibition of works belonging to the permanent collection of MAMAC in Nice and exhibition "Geometry according to Albert Chubac" at the Galerie Harter in Nice. - 2021/2021: Permanent exhibition at Galerie Atelier 55...

Albert Chubac (1925-2008), painting, paint on canvas and collage, France, circa 1960. Measures: Height 131 cm, width 194 cm, depth 3 cm. Albert Chubac was born in Geneva in 1920...

Elisabeth Baillon, Tapestry, The two musicians signed with green wire in the right corner, cotton, circa 1960, France. Good condition. Height 6...

Small two-body buffet decorated with bird feathers ORIGIN : FRANCE PERIOD : 16th CENTURY Measures: height: 170 cm length: 106 cm depth: 51 cm Walnut wood This cha...

This antique cabinet from around 1890 is a splendid example of historic craftsmanship and aesthetics. Hand-painted with a beautiful flower decoration, the cabinet exudes a timeless c...

If a piece feels like Tommi Parzinger, but is marked Johnson Furniture, there can be only one answer as to its Designer: Renzo Rutili. Mr. Rutili was a seminal furniture designer of ...

An outstanding mid-century Hollywood Regency Chinoiserie commode, server, or bar cabinet By Baker Furniture USA, Circa 1960s Burled walnut, with original brass hardware. ...

This stipo, little Italian cabinet made of walnut and walnut burl, is a remarkable example of Mannerism applied to decorative arts during the late 16th century. While the Manneris...

IMPORTANT CABINET WITH TWO BODY IN BLACKENED WOOD CARVED AND ENGRAVED ORIGIN: FRANCE PERIOD: 17TH CENTURY Height: 188 cm Width: 135 cm Depth: 53.5 cm Blackened wood and veneer: rosewood, ebony, pear, mahogany Framed in oak wood A real ceremonial piece of furniture, this two-part cabinet opens with two historiated panels and two drawers in the upper part and two leaves and two belt drawers in the lower part. Richly worked, it offers both inside and outside a floral decoration, finely engraved which contrasts with the importance given to geometric lines. This duality, typical of this type of cabinet, confirms its dating and its origin. In addition, the gilded metal locks and fittings enhance the sumptuous trait of this piece of furniture and also contribute to its ornamentation. Furniture of predilection for “enclosing the most precious things” (Furetière, Dictionnaire, 1690) the appearance of cabinets in the 16th century accompanied the development of wunderkammern, these cabinets of curiosities enriched both by the vogue for the antique and by distant expeditions which bring back with them natural wonders and rare testimonies of distant civilisations. The curious, combining fortune and culture, brings together antique medals, rare plants, fossils, or oriental ornaments. This meeting of pieces which embodies much more than their material reality, a subjective evocation of all the riches of the earth and all the knowledge of men, acts in the eyes of its owner like a microcosm of which he is the master and which he enjoys according to his will. This is how the first cabinets were designed to be transportable, often wooden structures calling for riches only those they housed for a collector who refused to part with them, even temporarily. In the 17th century, the cabinet gained in technical complexity and luxurious materials until it could no longer be moved itself and became a prized and expensive collector’s item...